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“Presenting” Zola — exotic, erotic, enticing…

Zola: Presenting, by Fabrice, exotic beauty in erotic nude art photosWith her dark hair, dark eyes, olive complexion, and sultry attitude, Zola — making her Metart modeling debut in “Presenting” — is an enticing exotic beauty who radiates erotic appeal. Zola’s combination of physical beauty and steamy personality is difficult to resist — the fact that she so enjoys the process of posing and sharing herself with the viewer only adds to her allure.

Although I was instantly charmed by Zola, “Presenting” gets off to something of a shaky start. Much of the set takes place on a large sofa of beige leather. Behind the sofa is a sort of sheer curtain hanging in front of a room divider of glass shelves, and behind that there’s an open space that photographer Fabrice has absolutely blasted with backlight. When the framing and exposure is right — and I hasten to add that it is right in the vast majority of images — the effect is flattering and appealing. But there are shots, #020 is one, where the excessive light bleaches the entire image.

As I mentioned earlier, Zola appears to be enjoying the experience. For a girl with such dramatic features — those fabulously full lips are the very picture of plump and luscious — she has a sly, subtle, vixenish manner. This is a girl who can be powerfully and wonderfully seductive simply by pursing her lips and slightly narrowing her eyes — you’ll see exactly what I mean when you have a look at #079, a bedroomy and beguiling headshot.

While “Presenting” isn’t the most dramatically explicit photo set at Metart, it is by no means tame. Zola has an ease and confidence that adds extra impact to her complete lack of inhibitions. While artist and model experiment with a wide variety of poses, they do take care to include a full selection of explicit images that provide the viewer with a comprehensive view of the goods.

Presenting” Zola is a promising debut by a model who is exotic, erotic, and enticing.

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“Fondia” starring Caprice A — magnificent model making movie magic…

Caprice A: Fondia, by Koenart, Metart HD erotic movieIt’s hard to believe it’s been two whole years, plus one day, since I’ve had the pleasure of commenting on Caprice A. Although she’s no longer a permanent resident of the Top Ten on the Top Models list, she’s still every bit as beautiful, charming, and almost overwhelmingly cute now as she was then. Caprice A is a star, and if you doubt me, you’d better have a look at the Metart HD erotic movie “Fondia” at your earliest opportunity, or sooner!

Director Koenart employs a simple device to set “Fondia” in motion. Caprice receives a text message from a lover reminding her that today’s the day they leave for a trip to Paris. She then proceeds to pack for the trip, stripping out of her blouse and denim shorts and trying on two sexy outfits and three different sets of bras and panties. This model’s body is the picture of nubile perfection, and just watching her undress, get dressed, and admire her reflection in an off-camera mirror is a treat. And knowing that she’s taking more sexy lingerie than actual clothes on her romantic getaway only adds to the enjoyment.

Once the lingerie modeling is done Caprice relaxes, totally nude, on the bed, and occasionally checks her phone for updates. This is when we get a closer look at Caprice, including a generous quantity of explicit close-up footage of her eye-pleasing and extremely enticing intimate anatomy (see the 7:39 mark for a super-close sample). And in this segment of the film some of the narrative slips away and Caprice interacts directly with the camera, and consequently with the viewer. From time to time — jog to 5:17, or 6:54, or 7:45 — Koenart fills the frame with the model’s gorgeous face, she poses oh-so prettily, and smiles with a playful and genuine warmth that is a joy to experience.

Fondia” is a treat, from beginning to end, and it does end on a delightful note. Caprice A is as beautiful and beguiling as ever, confident, uninhibited, relaxed, and playful, and Koenart has done a wonderful job of capturing her beauty and personality in this extremely enjoyable offering — this short film is long on beauty and long on charm. Highly recommended.

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“Perate” starring Ledona — bosomy backyard beauty…

Ledona: Perate, by Fabrice, big tits/pink slit, hot pix of nude redheadThe voluptuous Ukrainian vixen showcased in the Metart erotic photo series titled “Perate” has several outstanding attributes. She’s got a warm, vivacious, and lively personality that really comes across in these photos, for one. She’s got a long and lustrous head of dark red hair that flatters her appealing features and complexion, as well. But the thing — or, better make that plural, things — that will most likely catch one’s eye at first glance are her bounteous breasts. Jutting jauntily, their heft defying gravity’s tug, those glorious creations are capped by nipples that exceed the outer limits of the so-called “silver dollar” size. Beautiful face, enticing attitude, a body that’s otherwise delightful in every aspect, but, yes, those breasts are hard to miss and impossible to resist.

When I started in on the set I assumed that photographer Fabrice was a newcomer to Metart, but I was mistaken, this is his (or, I suppose, perhaps her) thirty-sixth gallery. So, not a new artist, but new to me. And I enjoyed this artist’s approach. Shot in a backyard, and at least to my layman’s eye, employing only natural light, there’s an honest simplicity to Fabrice’s style that goes quite well with Ledona’s relaxed, approachable nature.

I will note that there are only 81 images in “Perate,” a bit shy of the average number, but there’s still enough variety to satisfy, and this is more of an observation than a complaint. One aspect of the set design struck me odd at first: Ledona spends much of the series seated on a glider suspended from a wooden frame in a verdant backyard. And hanging from the top of the frame is a mosquito net, in a vivid shade of pink. As I said, odd. But the sheer pink fabric catches the afternoon sunlight in various interesting ways, and also allows the model to play and experiment with some clever poses, as she does in #010, face half hidden, and #011, beautiful face fully exposed.

While I would have appreciated a couple of closer close-ups of Ledona’s intimate attributes, there are plenty of explicit shots to enjoy here and her anatomy receives comprehensive and welcome exposure in “Perate.” But as breathtaking as her bosom is, and as enticing as her pink succulence appears, it’s Ledona’s personality that’s most appealing here. Simply standing, shapely and tall, and smiling softly at the lens (#033) or breaking into a spontaneous grin (#034) this bosomy beauty is a joy to behold.

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“Presenting” Ellen — hot, fresh, and oh so sweet…

Ellen: Presenting, by Catherine, foxy, nubile 19YO hottie, nude pixI like pecan pie. I like apple pie, too. And I like cherry pie. But my absolute favorite pie is cutie pie, and that’s an absolutely perfect description of first-time Metart model Ellen, the star of “Presenting.” I don’t care what kind of girls you prefer, it doesn’t matter how specific and specialized your personal tastes may be — if one look at this magnificent morsel doesn’t put a smile on your face and an idea or two in your imagination you may need clinical help. This girl is Cute, with a capital C, and this gallery of girlish gorgeousness is filled with so much sexy sweetness it will make your mouth water.

At five-foot-five Ellen is a bit taller than she appears in these pictures which create the impression she’s far more petite. Her breasts are delicate, her nipples pale, her legs are long, she carries just the tiniest bit of what might be best described as “baby fat,” and her bright-eyed essence is nothing less than cherubic. There’s an element of the angelic to Ellen, and the youthful energy in her big blue eyes suggests fun and games that are almost too enticing to imagine — but go ahead and imagine anyway, I know I did. This little angel appears to be having the time of her young life in these photos, and even though she delivers a polished and professional modeling performance here, when she breaks into a smile — as she does in #066, among others — it’s as sincere, spontaneous and adorable as can be.

Credit goes to prolific and respected Metart contributor Catherine for not only discovering this foxy little phenom, but for showcasing her with so much skill, sensitivity, and understated style. The photos are flattering, to be sure, and there are many stylish images in the collection, but when all is said and done the art here only adds to the beauty of the subject, it doesn’t overwhelm or alter the natural charms — both physical and emotional — on display.

As far as favorites are concerned, “Presenting” is filled with them. #006 is a particularly pretty pin-up; #014, a back shot, captures Ellen’s silky, waist-length hair with graceful style; #064 offers a glimpse of the goods plus an enticing facial expression. A truly beautiful and achingly nubile new model with an energetic and engaging personality, “Presenting” serves up a piece of pie that’s hot, fresh, and oh so sweet!

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“Parilla” starring Adele B — stunning face in a casual space…

Adele B: Parilla, by Erro, beguiling blonde in explicit nude art pixThe model featured in the Metart erotic photo gallery titled “Parilla” has an exceptionally beautiful, slender, and shapely body. Her physique, proportions, coloring — in every detail she’s virtually flawless. And this series contains an ample assortment of explicit, intensely erotic close-ups that are guaranteed to make mouths water and pulses pound. The reason I stress the enticing delights of Adele B’s body is that time after time, as I worked my way through the gallery, I found my attention being magnetically redirected to her face. With so much lust-inspiring beauty on display — and trust me, I did linger, longingly, over the explicit body shots in the collection — the headshots here are nothing less than beguiling.

My notes are filled with mentions of particularly skillful and stylish poses (#004 is one fine example, and #067, quite different, is another). And I’ve called out a generous selection of steamy explicit images (#052 delivers the gorgeous goods head-on, and #121 offers the viewer two points of entry for fiery fantasies). And yet…the headshots somehow captivate me more than even the most magnificently carnal images in the set. And they’re peppered throughout the entire gallery. We get one fine example in #011, the masterful lighting adds painterly impact to #029, there’s something both erotic and angelic in #076, and Adele B‘s face, lightly freckled, highlighted by those crystalline, greenish-blue (or is that bluish-green?) eyes, surrounded by that soft, golden hair, is simply stellar.

The talent in front of the camera in “Parilla” is beyond question. And so is the talent behind it — Erro is an internationally renowned master in the art of erotic photography, and this set, so casual, informal, and effortlessly executed is a gem. Adele B, nude from the start, is seated on a sofa covered by a gold satin spread. The room is cluttered, plaster is flaking on the walls, pictures and empty frames hang haphazardly in the background — it could be the apartment of a university student or a starving artist or musician. In the hands of a lesser artist the setting might be a major distraction. But in Erro’s vision it’s natural, comfortable, flattering, and entirely appropriate. The pacing of the series is a lesson in and of itself. In #001 we see a full-body shot of Adele seated, legs extended,in what might be called the “establishing shot” in cinema. #002 moves closer, same pose, but more emphasis on the face. And in #003, the artist rises up, Adele adjusts her pose and expression, and the pair create a lovely and emotive headshot, a welcome taste of many more yet to come in the collection. Beguiling beauty captured with consummate skill make “Parilla” profoundly pleasurable.

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“Renle” starring Zafira A — appealing abundance…

Zafira A: Renle, by Ken Tavos, big tits, round ass, wet spread cunt

Thirty years old at the time the erotic photo series titled “Renle” was shot, Zafira A is a little bit older than the typical Metart model. And in physical terms she’s far more voluptuous and curvy than the more typical slender and nubile nymphets that populate the site. But while she’s more mature and boasts a notably buxom physique Zafira A’s appeal is undeniable.

Photographer Ken Tavos has crafted a flattering and understatedly stylish showcase for this amply endowed subject. The setting is a large, sparsely furnished room — indeed, the only piece of furniture is a squat, blocky leather upholstered sofa. “Renle” opens with a few fully clothed shots and Zafira’s knit mini-dress shows off her spectacular shape in a pleasing but somewhat modest manner. The rich colors of the setting and Zafira’s pose and pensive expression in #002 provide a pleasing and intriguing introduction to the series.

If voluptuous models are to the viewer’s taste “Renle” offers one tantalizing image after the next. Zafira’s heavy breasts are the focus of numerous shots, naturally, but her ample rump and strong, sculpted legs are not ignored. Coupled with her facial features Zafira A is, physically, a superb emblem of the power of ripe, luscious femininity in full, vigorous flower.

There are several enjoyable headshots of the green-eyed Zafira here, and numerous stylish figure studies. And the pose in an image like #083, while somewhat studied, delivers both the beauty of her breasts as well as expressive and alluring aspects of her personality. In other images she projects sheer joy, moody introspection, smoldering sensuality, as well as a playful, energetic, even kittenish essence.

With all that “Renle” doesn’t stint on explicit images. Of the numerous shots of Zafira’s intimate anatomy the group including #075 through $079 are truly eye-opening, and then some. In physical, emotional, and purely erotic terms, Zafira A has got a lot to offer, and “Renle” does an excellent job of presenting her extremely appealing abundance.

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“Presenting” Stella Lane — teasingly, temptingly, torridly tactile…

Stella Lane: Presenting, by Flora, Metart HD erotic movieStunning Stella Lane, who makes her first appearance at Metart in “Presenting,” has numerous enticing attributes. Long blonde hair, big blue eyes, a shapely, slender frame, pert breasts capped by nipples of a particularly pale shade of pink, in addition to the extremely appealing item below her beltline. All of these aspects receive ample screen time in this film, with extra — and most welcome — attention to the moist and mouthwatering erogenous zone, but the model’s hands also play a starring role in the production. Those hands, graceful and elegant, remain in nearly constant motion throughout the film, caressing Stella’s smooth skin, cupping and squeezing her breasts, teasing and tugging at her sex, and guiding the viewer’s gaze across every luscious detail on display.

While Stella Lane‘s hands stroke, slide, and glide in perfect harmony with the slightly downcast piano accompaniment, the model remains relatively stationary. She first appears seated on the edge of a bed in a sparsely decorated hotel room. She’s wearing a white lace, long-sleeve body stocking, and she remains “fully clothed” for just under three minutes. After reclining on the bed she eventually removes the garment, crotch first, and after treating us to plentiful views in the prone position she gets on all fours for the final minutes of the film.

This is a beautiful girl, to be sure. And she’s got an intriguing, seductive personality that really shines when she graces the camera with a smile and a glance from those big blue eyes — you’ll find one stirring instance at the 3:43 mark, for example. But director Flora is no shrinking violet, and she gets in close for delightfully extended explicit anatomical close-ups that are truly eye-opening (among other, moist and succulent things, that is). With the help of those restless hands we get to see just how beautiful Stella Lane is — both outside and in. Newcomer Stella Lane is a teasingly, temptingly, torridly tactile treat, and “Presenting” is highly recommended.

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“Presenting” Roberta Berti — ginger and spice…

Roberta Berti: Presenting, by Rylski, red hair, pink pussy, art nudesWith the launch and subsequent success of his own site in the Metart Network — rylskyart.com — I have far fewer opportunities to critique Rylsky’s now less frequent contributions to Metart. Rylsky isn’t only a skilled erotic artist, he’s also blessed with an eye for talent, and I’m always interested in seeing the new models he discovers. And with this gallery Rylsky doesn’t disappoint. The set is filled with his signature skill and style, and Roberta Berti, the star of “Presenting,” has the physical beauty and inviting personality I’ve come to expect from Rylsky’s finds.

The very first image in the collection is among my favorites. Roberta is seated on a white couch, knees up, bare feet on the edge of the cushions. Her head is turned to the side, she’s touching her red hair with her right hand, her left arm draped casually across her knees. The model’s pose, formal yet natural at the same time, does a wonderful job of projecting mood and emotion — Rylsky has a knack for coaxing this from his models. The art direction — varied shades of white with a burst of color from the model’s pink camisole — and the artist’s masterful composition create a thoughtful and stylish image.

But the pensive, thoughtful, temperament Roberta Berti displays in that opening image is just one mood among many. This new model has a big, bright, enthusiastic attitude that’s warm, engaging, and bursting with appealing energy. She’s exuberant, playful, and spontaneous. And she’s also impressively confident and boldly uninhibited. She wears her sheer camisole for much of the set, but she’s otherwise naked from beginning to end. In the series of shots spanning #029 through #043 she presents her fantastically photogenic sex to the camera aggressively and without a shred of reservation. It is a cliché, of course, but particularly true Roberta Berti’s case: this redhead is red-hot.

Bright, lively eyes, warm, flawless skin, pert and petite breasts, and a full, round, and ripe rump are impressive physical gifts, of which this Metart newcomer can be justifiably proud. Under the guidance of savvy lensman Rylsky, “Presenting” Roberta Berti is an impressive and enjoyable introduction to a talented and appealing new Metart model.

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“Riuni” starring Lija — sweet swinging Swede…

Lija: Riuni, by Arkisi, explicit, erotic, nude pin-up pixOne of the first things that struck me about the Metart erotic photo gallery titled “Riuni” was a certain, pervasive “pin-up” flavor. It’s not unusual for a series to contain a couple of pin-ups, usually due to the model’s pose. But here it goes far beyond a couple of images, and well beyond this (talented) model’s choice of poses.

Stunning Swede Lija, busty, blonde, and blue-eyed, makes a fine subject for the slightly retro pin-up style, and other elements of the art direction go a long way in emphasizing and amplifying it. Foremost is the dramatic “Bubble” chair, a clear acrylic sphere suspended by a chain from the ceiling. This alone gives the series a strong taste of the swinging sixties. And Lija’s outfit — a black satin nightie trimmed in white lace and featuring sheer black panels — adds notes of “naughty French maid” and “old school” sexy style.

The rest of Arkisi‘s set, white floor and upholstered walls, only add to the stylized and stylish feel of the session. With all these elements in place artist and model go to work, and “Riuni” proceeds to deliver one delightful, delicious, pleasingly pin-up image after another. In #10, naked from mid-torso down, Lija stands on tiptoe, in profile, and projects pure, stylish perfection. Even more explicit images, like #020, a tantalizing rear view of the model bent over and supporting herself on the cushions of the chair, offers plenty of pin-up flavor.

Lija’s modeling skill and her bright, lively, and engaging personality are in perfect proportion to her physical beauty. Lija is stunning, but she’s no idealized mannequin — there’s a vivacious, energetic, flesh-and-blood woman posing for these stylized photos, and she appears to be loving every minute of it. From achingly explicit extreme close-ups of her moist and magnificent pink bits, to portraits of her profoundly pretty breasts, to dazzling headshots — #082 and #108 are just two of my personal favorites — this bosomy beauty never ceases to beguile, tempt, and tantalize. Thanks to the efforts of a beautiful model and a talented artist, “Riuni” easily earns my very highest recommendation.

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“Presenting” Leona Honey — this first taste is fresh and sweet…

Leona Honey: Presenting, by Albert Varin, 19-year-old babe spread + wet

Contributor Albert Varin has dressed the set of Leona Honey’s debut Metart gallery in a narrow range of earth tones from light beige to medium brown. A full-length mirror in an elaborate frame plays a major role, and a Persian rug provides a hint of color as well as added comfort when the model chooses to pose on it. The model’s coloring is complemented by the colors employed in the set design, but I wonder if a bit of additional contrast would have added some visual snap to “Presenting.”

And Leona Honey has chosen a particularly appropriate pseudonym. She has a sweet and inviting smile, her slender and shapely build is tempting, and the personality her finely featured face projects is warm and welcoming. If this is Ms. Honey’s first nude modeling experience — as well it might be for a mere 19-year-old — she does an admirable job. And, on top of all that, the name Honey harmonizes well with the art direction.

Barefoot and wearing only a single item of clothing — a filmy black dress with sheer black sleeves — Leona is as comfortable clothed as she is completely nude. In my notes I’ve called out several “nothing showing” shots that are visually pleasing and which offer tantalizing flashes of personality (#008 includes a bit of playful peek-a-boo with the mirror, for example). Varin takes care to include detail shots — succulent close-ups of Leona’s glistening intimate goodies like #050 or #090, as well as a study of her pert breasts reflected in the mirror, and even #098, a study of the soles of her feet. There are some exceptional headshots, as well, and they do a fine job of capturing Leona Honey’s refined features, golden hair, and dark eyes (see #001, #107, and #112 for three examples). Fans of Mr. Varin are treated to a glimpse of the artist at work in #022, the unintended consequence of employing a mirror as a principle prop.

I’ll close with mention of a flaw as well a favorite image, for balance. Varin has experimented with some image editing in several shots here (including the photo that illustrates this post, above). This seems somewhat odd in view of the sets already limited chromatic range. Is a sepia tone effect really necessary when the set is already shot through with sepia tones? But in a highlight in “Presenting” like #106 it all comes together perfectly — the art direction and composition work together to enhance and flatter the model. And the model, physically beautiful and emotionally charming, delights both the eyes and the senses. How sweet is that?

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