Author Archives: Adam

Personality is important. It can make an ordinary girl irresistible, and it can transform a true beauty into a star. But capturing personality with a camera isn’t easy. It takes technical skill on the photographer’s part, certainly, but it also requires sensitivity. A gifted artist has the unique skills required to put a model at ease and then create an environment in which she feels free to express herself fully.

19-year-old Kamilah A has personality, and plenty of it. And in “Presenting,” her first nude photo gallery for MetArt, that lively, energetic, and vixenish personality is on full display. It doesn’t matter if she is totally nude and boldly displaying herself in explicit poses, or if she’s demurely positioned in more modest images, Kamilah A projects an abundant and extremely engaging personality. And when a girl this physically appealing has such an attractive personality it’s impossible not to love her.

Models can be difficult. They can be moody, temperamental, irritable and even combative. But in these beautiful photographs by the artist Arkisi this model is at ease, engaged, animated, and projects pure enjoyment. I could be wrong, but I can’t help but feel that Arkisi and Kamilah A enjoyed every minute of this photo session — and that sense of fun and positive energy is present in nearly every frame of the series.

The set design and minimal costuming are thoughtful and stylish, the lighting unobtrusive, the photographer takes care to include a wide variety of compositions, and the model is free to display different aspects of her personality as well as a range of poses and moods. “Presenting” Kamilah A is both an extremely impressive new model debut, and a polished demonstration of the erotic photographer’s art. A girl this pretty, with a personality this pleasing, is a most welcome addition to MetArt, and I look forward to seeing much more of her in the future.

The setting for the MetArt erotic photo series “Artio” couldn’t be more appropriate for the sultry subject. Photographer Karl Sirmi has positioned his model on a circular bed, its sheets in pleasing disarray. A sexy girl, an unmade bed — it doesn’t take much more than that to inspire one’s erotic imagination.

As it happens, this model is particularly inspiring in her own right. This is only Katie A’s second MetArt nude photo gallery (a third has been added to her portfolio only recently), and she is just 19 years of age. But lack of age or experience is no impediment! Katie A is beautiful, talented, and extremely sexy. And there’s a knowing quality, an air of maturity, to Katie’s allure. This is no inexperienced “legal teen,” Katie A projects a seasoned and worldly sexuality.

Physically and facially, Katie A is an exceptional specimen. She’s also a gifted poser with a limber and flexible body and a creative imagination — she assumes some poses here that verge on contortionism, and the effect is absolutely eye-catching. The cluster of shots spanning #018 through #023 showcase her bendable body quite wonderfully, and #090, #092, and #095, while less dramatic, have a physical grace that’s a delight to behold.

The series is presented in somewhat jumbled form, or rather, it’s presented here out of its logical order. In the first ten images Katie A is totally, gloriously, nude. But in #011 she’s fully dressed in a sheer, frilly black and white nightie over matching panties. If one proceeds through the set in numerical order, as I do, the logical progression of the series — dressed, then topless, then totally nude — is lost. But who cares! In fully clothed shots (like #043 or #034) Katie A delights. In a topless shot (#072 is a beauty) she beguiles. In headshots (#030 or #054) her beauty borders on hypnotic. And totally nude (offering a prone invitation in #004, or spread wide and brazenly presented to the lens (in #112 among others), Katie A is both lovely and lusty. “Artio” gives the viewer a vivid and detailed picture of how enjoyable it would be to help her “unmake” a big, inviting bed!

Can a single three-letter word qualify as a concise movie review? In the case of the MetArt HD erotic movie titled “Lektion,” the answer is an emphatic yes! Mere seconds into the film I said, out loud, “Wow!” And as I continued to watch that word was repeated, over and over again.

The primary inspiration of these enthusiastic, almost involuntary exclamations of awe and delight is the film’s star, Mia D. I had the profound pleasure of critiquing her MetArt debut, and I was mightily impressed. A subsequent photo series, as well as a movie made it plain — Mia D is a true beauty and a genuine talent. And her beauty and talent are both front and center in this wonderfully wow-inducing short film.

I’ll praise Mia D’s performance in greater detail shortly, but I’d be remiss if I didn’t first take a moment to give credit where credit is most certainly due. Leonardo has done an absolutely brilliant job here. His direction, cinematography, and editing have produced an impressive and completely enjoyable experience. Blink at your own risk — you really don’t want to miss a single beautiful second of “Lektion.” Wow. It really is that good.

I’ve decided that the “D” in Mia D stands for Delicious. Well, it might also stand for Delight. Or Doll. She is all those things, in abundance. And Leonardo’s lens captures that delicious delightfulness with stylish, effortless ease. The look on her beautiful face at the :20 mark, as an off-camera fan fills her short floral skirt with air is priceless. With a sly smile, the bat of an eyelash, a sidelong glance, this model can work absolute magic.

The pacing and the camerawork have a leisurely feel — some shots appear to be in slow motion even if they aren’t actually slowed down. And that’s a definite asset because every second, each individual frame, seems to offer a unique bit of beauty. Raising her skirt (at :40), exposing her pert breasts (at 2:00), kicking her dress aside (at 2:20), and kneading her stiff-nippled tits with both hands (at 4:30) are highlights in a film absolutely brimming with similarly delightful moments and images.

Thank you, Leonardo, for capturing and presenting this gorgeous girl so beautifully. And thank you, Mia D, for sharing all you have to offer with us. I could easily say more, but I’ll sum it up with one word: Wow!

Even though it happens with dazzling regularity, the first appearance by a new model in her debut MetArt erotic photo gallery is something I never grow tired of. A new set by a favorite established model is always welcome, of course. But there’s a unique thrill that comes with discovering fresh talent – it’s really one of the highlights of MetArt membership.

Arkisi has done quite a fine job showcasing this new model. Here the artist employs a light touch. The costuming is simple and classical, the lighting soft and indirect, and the compositions varied — we’re treated to everything from stylish, painterly figure studies to explicit intimate close-ups that reveal every anatomical detail.

And the subject of these photos, Marga A, is as warm, charming, and at ease as one could possibly imagine. If these are, indeed, her first nude photos, Marga A is to be praised for her engaging and uninhibited performance.

While Marga A certainly has many striking physical attributes, it’s her energy and cheerful confidence that I find most appealing in “Presenting.” And her green eyes — animated by that energy and illuminated by her personality — are exceptional.

Favorites? I’ll start with #006, a figure study, on her tiptoes, against a rustic wall, skirt raised, eyes averted. Arkisi is at his painterly best in #025, a moody shot of a single hand on her beautiful butt. #026, of the model’s back, her face in profile, boasts a similar quiet artistry. Marga A’s eyes and face are the stars of #085. And in #111, spread out on the hardwood floor, artist and model create another stylish figure study helping make “Presenting” Marga A a pleasant premiere performance.

The setting is lush and green, sunlight mixes with cool shadows, and in the background a meandering stream is occasionally visible. Birds are twittering in the high branches and a light breeze is gently ruffling the leaves. Movement, and then sound, catches your attention — you spin to look, and you see her. You freeze in your tracks. You’ve just stumbled into the lair of the forest fox, one of the most alluring creatures nature has to offer.

I hope you’ll forgive me the brief flight of fancy, but the MetArt erotic photo series titled “Glauben” invites and encourages these types of imaginings, and many others, as well. Violla A, totally nude and completely uninhibited, is the fox in question, and her voluptuous beauty and sprightly personality are almost overwhelmingly attractive in this setting. In much of the series she’s positioned on a gnarled, bent tree trunk that’s covered with twisted vines. And she looks completely at home and absolutely comfortable.

The fact that Violla A is so at ease in the rustic location can only have made the photographer’s job easier, and if the model is only half as high-spirited as she appears to be this session must have been a pleasure for Matiss. I do notice a couple of unnecessarily tilted images, and a few shots in which reflected light is perhaps a touch overdone, but the overall look and execution of the pictorial is quite pleasing.

As noted, Violla A is not inhibited, and that’s an understatement. But explicit anatomical detail is just one aspect of this pictorial. There are some simply wonderful headshots — quite a few, in fact, starting at #018 and including #019, #020, and #032, among others. And there are some pleasantly tame figure studies — includng #063, #067, and #081 — that have an almost rustic pin-up quality. Whether she’s thrusting her moist delights at the lens or just reclining thoughtfully on her forest perch, Violla A is utterly charming and powerfully alluring in “Glauben.”

It’s a complex undertaking, this nude erotic photo modeling. A beautiful face certainly helps, but the range of what is considered beautiful is so broad that beauty, in and of itself isn’t enough. A shapely body is another crucial ingredient, but petite, skinny girls and voluptuous women can both find success in the same arena. A lack of inhibition is absolutely a requirement, and it helps if the photographer is sympathetic and skilled enough to support and encourage the model during the shoot. But perhaps the most important factor — and this is easy to forget when one is dazzled by a parade of mouthwatering bodies and beautiful faces — may well come down to personality. The best models, the sexiest girls, the most sought after women in erotic photography radiate and project engaging personalities.

Alyssa A does, without a doubt exhibit personality in “Noiva.” And she also displays considerable beauty of the facial and physical varieties. From the delicate intimate details — these alone have earned her numerous fans, I don’t doubt — to her trim and shapely figure, Alyssa A is nothing if not beautiful. And her face, framed by long wavy hair and boasting blue eyes of the big and beguiling variety, is as pretty as a picture. And she’s certainly uninhibited — the numerous explicit poses and close-ups provide ample proof of that. So, a truly beautiful woman, unashamed and uninhibited, but perhaps the slightest bit restrained in the personality department. Oh, she is sexy and appealing, and a feast for the eyes, but I do wish she would laugh, smile, let go a little bit, and share more of her personality!

Even so, despite the somewhat limited range of Alyssa A’s expressiveness, there is quite a lot to enjoy in Slastyonoff‘s pictorial. The art direction, lighting, and styling — including the model’s white ensemble of stockings, panties and frilly top — is harmonious and flattering. Even fully dressed, as she is in #023, Alyssa A presents an alluring proposition. With her breasts exposed, eyes closed, and reclining on the sheets in #045 she’s an evocative picture of dreamlike perfection. As for explicit images, #050 gets right to the point(s) and in the cluster of shots spanning #115 through #120, Alyssa offers herself vigorously to the camera with high erotic impact.

Four of the most personality-rich shots, and thus standouts in “Noiva,” are variations on the same pose. In #027, #099, #100 and #101, she faces the camera, head down, ass up. Here Alyssa presents some real depth. Even with her eyes closed, in #100, or in #099 (her most relaxed and natural pose in the collection?) her exquisite beauty and enticing sensuality are in full effect.

A seldom traveled road in the remote and picturesque countryside provides the setting for this first-time MetArt model’s debut. Wearing nothing more than a necklace, sheer black panties, and a pair of flashy stiletto heeled platforms, Valeri B’s premiere opens with a series of bold and impressive images. If there was any traffic on this desolate road it would certainly come to a screeching halt at the sight of this curvaceous blonde.

Matiss positions Valerie B in soft shadow for the bulk of the images here, but the natural light allows for full revelation of her physical details while the background — verdant hills and craggy white peaks backed by vivid blue sky — is bathed in bright sunlight. The model’s shoes, in particular, add a bit of stripperish glamour that may be slightly out of place in the rustic location, but the result is ultimately satisfying.

Valeri B has an attractive energy and her performance here is confident and relaxed. She does seem to be enjoying the experience, and if these are her first nudes one can’t help but be impressed by her natural ease in front of the camera. She’s impressive physically, as well, with a body that mixes plush curves with an underlying strength and athleticism.

“Presenting” Valeri B offers a wide variety of poses and compositions. Intimate close-ups are balanced by an assortment of headshots, and at the end of the set Valeri B appears in a little black mini-dress — even fully clothed this new MetArt model is unquestionably sexy.

Seven minutes and fifty-one seconds is not a lot of time. That’s just one of the fundamental challenges posed by the MetArt HD erotic movie format. To be frank, I’ve seen several of these short subjects that seemed far longer due to their lack of compelling action or failure to make any sort of engaging erotic or creative statement.

With “Empiria,” photographer/artist/director Ivan Harrin demonstrates mastery of the format. Yes, it’s just under eight minutes in length, but every second is entertaining and enjoyable. Harrin’s concept, style, and execution are brilliantly suited to the format, and aspiring MetArt filmmakers would be well advised to study this offering.

And the talent in front of the lens is every bit as impressive. As “Empiria” begins we see Milana G, in profile, standing behind a curtain of crystal beads — it’s a beautiful image of a beautiful girl. Within seconds — she smiles at the 10-second mark — she has my undivided and enthusiastic attention. And it just gets better from there on out.

Milana G has a slender, shapely body and the soft lighting brings out its contours wonderfully. She also has a nuanced personality, laughing, then thoughtful, then sexy. There are moments, many of them, when I’m struck by her beauty in individual frames — Harrin really knows how to apply the still photographer’s sensibility to motion pictures.

Totally nude throughout, when Milana G steps away from the beaded curtain she moves to a picture window facing a busy street. Pedestrians are clearly visible in many shots adding a bit of exhibitionist/voyeur sizzle to the proceedings — one fellow nearly sprains his neck turning to gawk at the gorgeous nude girl looking out at him. Priceless.

Some bold, explicit views spice up what is already a spicy concoction, and as an unexpected bonus we’re treated to a brief bit of “blooper” footage (in stylish black and white, no less) as “Empiria” nears its conclusion; as well as a short, fully clothed moment as Milana browses the offerings at a street-side stall. A gorgeous girl in a stylish, eye-pleasing and completely enjoyable film. Highly recommended.

Calling a model in her early twenties a “veteran” seems a bit odd, but “Provalo” is Mila I‘s forty-ninth appearance at MetArt so the description is fitting. And it’s quite easy to understand this beautiful blonde’s enduring appeal. She’s physically enticing, of course, but Mila I also has a spirited, lively personality that is easily captured in still photos or on video.

In looking at Mila I’s impressive catalog I notice something interesting. Although she’s worked with a diverse assortment of MetArt contributing photographers, eight of her ten most highly rated pictorials were created by one artist, Tony Murano. With “Provalo” I have a chance to see for myself why this particular team has proven to be so popular and successful.

Although the very first image is tilted for no obvious reason (a pet peeve of mine), the lighting and set design is pleasing, and Mila’s styling is a bit more polished than usual, which is also pleasing — Mila is nothing if not versatile, and here’s yet more proof. Then model and artist begin to experiment. In #005 we Mila is in a thoughtful mood, but by #009, still fully dressed, she expresses sexual ecstasy.

Explicit and unashamedly sexual imagery is a Tony Murano trademark, and as “Provalo” progresses it offers ever-increasing eroticism. While Mila I is undeniably cute with a bright and charming spirit, she’s also powerfully sexy, and this series captures that aspect of her personality quite impressively.

Yes, there are “tame” yet stylish photos here – #047, a study of Mila’s breasts with several flowers slightly out of focus in the background is one example. And the architecture of her body is rendered to striking effect in #072. Here Mila’s shoulders are on the floor and her body arches upward, supported by her legs up on the bed.

But the main course here is flowers — of two distinct varieties. Toward the end of “Provalo” Mila’s is in glistening full bloom as it is showered with yellow petals. And in the final shot, an extreme close-up, a single golden petal is held near a pink blossom of incomparable beauty. That’s what I call flower power!

Wow. I could stop there and be satisfied that I’d accurately and concisely conveyed my reaction to this MetArt erotic gallery. But this model is so impressive, and the photography is so skillful, that I will elaborate.

The magic begins at the very beginning — image #001. It’s a headshot and Margita Lesna calmly gazes at the camera with her big, dark blue eyes. The lighting is subdued, the room behind her shadowy, her beauty truly luminous. Yes, this photo, in its restrained way, elicits a “wow” from me. But at this point I have no idea how many more wows are still in store.

There is a logic to Arkisi‘s pacing through the series, but it doesn’t waste any time getting explicit or drawing out the tease unnecessarily. By #015 we’re treated to a luscious close-up of Margita’s femininity framed by the fingers of both hands — yes, another wow-inducing image.

There’s much, much more in the way of eye-popping erotic imagery in “Diffusio,” but the impact of this set comes as much from its beauty as from its steamy and inviting sexuality. The lighting, the relaxed atmosphere in this particular bedroom, the costuming (fishnet hose and little else), styling, art direction, all these elements work in rare harmony.

Margita Lesna’s beauty is absolutely wow-worthy. Her gorgeous face is framed by a luxurious mane of long wavy hair — in #035, #036, and #037 it plays a starring role. And this model’s lips, full, plump and luscious are also notable. But then, so much of her is. In shot after shot I find myself murmuring…wow.

Tasteful pin-ups, a varied selection of headshots, steamy explicit poses, and all captured with a smooth, understated style. Arkisi’s “Diffusio” starring Margita Lesna skillfully showcases a gloriously gorgeous and glamorous model.