Category Archives: Models

Whether it’s in the movies, on television, in the magazines, or on the street, glamour and star quality captures the most eyes and earns the bulk of the attention. Supermodels get noticed — that’s one of the things that defines their supermodelness. But movie starlets and high fashion models are relatively rare birds — another one of their defining qualities. Today let’s turn our attention to another distinct and far more common type of female beauty: the girl next door.

Name your favorite supermodel. Now imagine that she lives next door. A beautiful dream, yes, but a far-flung fantasy in reality. Now imagine that the model featured in the MetArt erotic photo gallery titled “Bilitas,” Irina O, has moved into your neighborhood. That seems more natural, something that could actually happen, doesn’t it? And that’s a huge part of this model’s considerable charm. She’s beautiful, fresh, vibrant, energetic, and completely natural — the very picture of a (very pretty) girl next door.

I don’t know if Irina O lives anywhere near MetArt photographer Antonio Clemens, but he shot all but one of the 15 pictorials in her MetArt portfolio. Here he employs a studio setting, a bit of fabric netting and a couple of pillows on the floor, and a backdrop bathed in a vivid blue light. Irina O starts out in a floral print dress and tall, strappy espadrille sandals, but the outfit feels the slightest bit much and she looks far more comfortable (not to forget appealing) when she’s stripped it off.

I was somewhat surprised to learn that Irina O was 26 at the time “Bilitas” was photographed — to my eye she looks far younger than that. Part of that may be due to her slim proportions and petite breasts, but I think much of it comes from her bright smile and the spirit projected by her twinkling blue eyes. Antonio Clemens does a fine job capturing his subject in a wide variety of compositions. We find details like a hand placed delicately on her chest (#014); exceptionally pretty profile shots (#025 and #043); a sampling of foot-centric images (#066, for example); and simple yet effective portraits (like #058). There are also some interesting and explicit poses — I particularly like the group spanning #125 through #130, in which this eager girl next door assumes a shoulder stand, spreads her legs wide revealing all, and smiles naturally, warmly, and unaffectedly at the camera.

The primary piece of wardrobe in this new model’s MetArt debut gallery is a ballet tutu fashioned from black tulle. This item, in and of itself, broadly suggests that the wearer is a dancer. However any model can wear a costume, but not every model can convince us she has the skills and grace of an actual dancer. Elsa A, with every pose, every gesture, lets us know that she is a proud, accomplished, and experienced danseuse. As the set progresses I grow more and more impressed with the way Elsa A brings her dance skills to the art of posing for erotic photos.

Dancer or not, Elsa A is an impressive physical specimen. Her breasts are large, stunningly sculpted, and in perfect proportion to the rest of her shapely frame. She has a pretty face and a lively, energetic presence — this may well have been perfected on the stage, but it is particularly well suited to still photos. The beauty, grace, and agility of her body is nicely matched with her personality — this is an engaging, extremely “watchable” young woman.

Goncharov has an excellent grasp of Elsa’s potential and his design and execution of the set is perfectly suited to her gifts and abilities. Two circles of white light — one on the floor, the other on the backdrop, both of which are white — subtly suggest the spotlights of a theater. A white column, a simple rectangular box, proves to be a fine prop, serving as a pedestal for a series of dramatic “flying” poses (see #032, #033, and #040 for examples); as well as a vertical balance point for some no less dramatic backbend stances (#055 and #057). Elsa also performs impressive full side-splits, and Goncharov is thoughtful enough to include two views, back and front (#096 and #097) of this eye-opening feat.

Minor complaints? I wouldn’t have protested if Elsa had shed the tutu, her fishnet stockings, and red necklace for at least some of the images. And, because she has such an inviting body, I could have done with a more generous assortment of explicit shots, although there are certainly enough here to whet the appetite for more. I hope we see Elsa A again soon, in sets that expand on the impressive performance showcased in “Presenting.”

I never get tired of Lily C. From the first time I set eyes on her, in her very first MetArt nude pictorial, to my most recent exposure, when I reviewed one of her MetArt HD erotic movie performances, I’ve been hooked. This is the eighth post I’ve written about her, and that’s only a fraction of the 24 titles in her MetArt portfolio.

And Lily C hasn’t gone unnoticed by the MetArt membership at large. As I write she’s sitting in the forth position at Top Models, and her newest pictorial, “Sentido,” can only help expand her popularity.

Luca Helios takes a simple approach to this series. For the bulk of the collection Lily C poses on a concrete slab overlooking the ocean. I imagine that working with a model as beautiful, charming, and photogenic makes the artist’s job not only easier but also more pleasurable. My primary quibble with the photographer’s work here is his tendency to tilt the camera. With two strong, parallel horizontal lines in nearly every shot (the edge of the slab and the far horizon) the tilting frames create an unnatural and unneeded woozy effect. Another minor problem, which Lily C takes in her unflappable stride, is that the slab is splattered with seagull guano. But, throughout, despite these gripes, Lily C delivers another stunning performance.

What a body this young woman is blessed with! And it’s not simply the perfect lines and flawless proportions — Lily C radiates a vigorous, physical vitality that Helios captures beautifully in this series. Two shots among many — #013 and #025 — both standing, capture that stunning physique to stirring effect.

Explicit images are also offered in reasonable numbers. With the model on all fours, backside to the camera, we’re treated to detail shots (#073), sculptural figure studies (#072), along with engaging, spirited, seductive invitations (#071). In “Sentido” Lily C is an erotic eyeful as well as being her usual, loveable, justifiably popular self. In #099, totally nude but concealing the naughty bits with crossed arms and legs, the wind plays in her long hair and Lily C shoots a beguiling smile directly at the camera. The beauty and personality captured in this single image perfectly explains why I never get tired of Lily C.

After looking at over a hundred well-crafted photographs of a totally nude woman I’ve usually drawn some conclusions about her emotions and other aspects of her personality. In “Levha” Angelique A struck me as a strong, playful, and extremely sexual woman. But it was only after reading her bio — and discovering that she is only an 18-year-old — that I realized how young she is. It certainly came as a surprise — this is no mere teenybopper! For a girl this young to project such a fully formed, completely sincere, rich, ripe, and mature sexuality is truly striking.

And I think it goes beyond Angelique A‘s glamorous appearance — her dark hair, dark eyes, and luscious lips in particular — or the ornate décor of the bedroom Arkisi shot her in. This young woman has a quality — a sultry, sexy quality — that comes from within. And is it ever a pleasure to experience!

This is only Angelique’s second MetArt erotic photo set (she’s also appeared in a MetArt HD erotic movie), and while her performance here leaves nothing to be desired, there is also certainly room for her to grow and blossom as a model. And she certainly gives Arkisi plenty to work with. The artist, as is his practice, captures his subject in a broad range of poses and delivers carefully composed detail shots along the way. Intimate, explicit close-ups are provided in generous numbers, but then so are beautiful headshots (#013, #036, and #067 are three fine examples). There’s a simplicity bordering on the poetic in #007, a detail shot of Angelique’s round ass flanked by her delicate hands as she removes her scant g-string. And there’s a confident and clever artist at work in shots like #050, with the model seated centrally on the bed and facing the camera, and #109, an explicit variation on that image, in which Angelique’s rear aspect (as well as her steamy personality) is featured. In “Levha,” beautiful, sexy Angelique A is so very young, and so very sultry — and those are two factors that make this pictorial so enjoyable!

Personality is important. It can make an ordinary girl irresistible, and it can transform a true beauty into a star. But capturing personality with a camera isn’t easy. It takes technical skill on the photographer’s part, certainly, but it also requires sensitivity. A gifted artist has the unique skills required to put a model at ease and then create an environment in which she feels free to express herself fully.

19-year-old Kamilah A has personality, and plenty of it. And in “Presenting,” her first nude photo gallery for MetArt, that lively, energetic, and vixenish personality is on full display. It doesn’t matter if she is totally nude and boldly displaying herself in explicit poses, or if she’s demurely positioned in more modest images, Kamilah A projects an abundant and extremely engaging personality. And when a girl this physically appealing has such an attractive personality it’s impossible not to love her.

Models can be difficult. They can be moody, temperamental, irritable and even combative. But in these beautiful photographs by the artist Arkisi this model is at ease, engaged, animated, and projects pure enjoyment. I could be wrong, but I can’t help but feel that Arkisi and Kamilah A enjoyed every minute of this photo session — and that sense of fun and positive energy is present in nearly every frame of the series.

The set design and minimal costuming are thoughtful and stylish, the lighting unobtrusive, the photographer takes care to include a wide variety of compositions, and the model is free to display different aspects of her personality as well as a range of poses and moods. “Presenting” Kamilah A is both an extremely impressive new model debut, and a polished demonstration of the erotic photographer’s art. A girl this pretty, with a personality this pleasing, is a most welcome addition to MetArt, and I look forward to seeing much more of her in the future.

The setting for the MetArt erotic photo series “Artio” couldn’t be more appropriate for the sultry subject. Photographer Karl Sirmi has positioned his model on a circular bed, its sheets in pleasing disarray. A sexy girl, an unmade bed — it doesn’t take much more than that to inspire one’s erotic imagination.

As it happens, this model is particularly inspiring in her own right. This is only Katie A’s second MetArt nude photo gallery (a third has been added to her portfolio only recently), and she is just 19 years of age. But lack of age or experience is no impediment! Katie A is beautiful, talented, and extremely sexy. And there’s a knowing quality, an air of maturity, to Katie’s allure. This is no inexperienced “legal teen,” Katie A projects a seasoned and worldly sexuality.

Physically and facially, Katie A is an exceptional specimen. She’s also a gifted poser with a limber and flexible body and a creative imagination — she assumes some poses here that verge on contortionism, and the effect is absolutely eye-catching. The cluster of shots spanning #018 through #023 showcase her bendable body quite wonderfully, and #090, #092, and #095, while less dramatic, have a physical grace that’s a delight to behold.

The series is presented in somewhat jumbled form, or rather, it’s presented here out of its logical order. In the first ten images Katie A is totally, gloriously, nude. But in #011 she’s fully dressed in a sheer, frilly black and white nightie over matching panties. If one proceeds through the set in numerical order, as I do, the logical progression of the series — dressed, then topless, then totally nude — is lost. But who cares! In fully clothed shots (like #043 or #034) Katie A delights. In a topless shot (#072 is a beauty) she beguiles. In headshots (#030 or #054) her beauty borders on hypnotic. And totally nude (offering a prone invitation in #004, or spread wide and brazenly presented to the lens (in #112 among others), Katie A is both lovely and lusty. “Artio” gives the viewer a vivid and detailed picture of how enjoyable it would be to help her “unmake” a big, inviting bed!

The setting is lush and green, sunlight mixes with cool shadows, and in the background a meandering stream is occasionally visible. Birds are twittering in the high branches and a light breeze is gently ruffling the leaves. Movement, and then sound, catches your attention — you spin to look, and you see her. You freeze in your tracks. You’ve just stumbled into the lair of the forest fox, one of the most alluring creatures nature has to offer.

I hope you’ll forgive me the brief flight of fancy, but the MetArt erotic photo series titled “Glauben” invites and encourages these types of imaginings, and many others, as well. Violla A, totally nude and completely uninhibited, is the fox in question, and her voluptuous beauty and sprightly personality are almost overwhelmingly attractive in this setting. In much of the series she’s positioned on a gnarled, bent tree trunk that’s covered with twisted vines. And she looks completely at home and absolutely comfortable.

The fact that Violla A is so at ease in the rustic location can only have made the photographer’s job easier, and if the model is only half as high-spirited as she appears to be this session must have been a pleasure for Matiss. I do notice a couple of unnecessarily tilted images, and a few shots in which reflected light is perhaps a touch overdone, but the overall look and execution of the pictorial is quite pleasing.

As noted, Violla A is not inhibited, and that’s an understatement. But explicit anatomical detail is just one aspect of this pictorial. There are some simply wonderful headshots — quite a few, in fact, starting at #018 and including #019, #020, and #032, among others. And there are some pleasantly tame figure studies — includng #063, #067, and #081 — that have an almost rustic pin-up quality. Whether she’s thrusting her moist delights at the lens or just reclining thoughtfully on her forest perch, Violla A is utterly charming and powerfully alluring in “Glauben.”

It’s a complex undertaking, this nude erotic photo modeling. A beautiful face certainly helps, but the range of what is considered beautiful is so broad that beauty, in and of itself isn’t enough. A shapely body is another crucial ingredient, but petite, skinny girls and voluptuous women can both find success in the same arena. A lack of inhibition is absolutely a requirement, and it helps if the photographer is sympathetic and skilled enough to support and encourage the model during the shoot. But perhaps the most important factor — and this is easy to forget when one is dazzled by a parade of mouthwatering bodies and beautiful faces — may well come down to personality. The best models, the sexiest girls, the most sought after women in erotic photography radiate and project engaging personalities.

Alyssa A does, without a doubt exhibit personality in “Noiva.” And she also displays considerable beauty of the facial and physical varieties. From the delicate intimate details — these alone have earned her numerous fans, I don’t doubt — to her trim and shapely figure, Alyssa A is nothing if not beautiful. And her face, framed by long wavy hair and boasting blue eyes of the big and beguiling variety, is as pretty as a picture. And she’s certainly uninhibited — the numerous explicit poses and close-ups provide ample proof of that. So, a truly beautiful woman, unashamed and uninhibited, but perhaps the slightest bit restrained in the personality department. Oh, she is sexy and appealing, and a feast for the eyes, but I do wish she would laugh, smile, let go a little bit, and share more of her personality!

Even so, despite the somewhat limited range of Alyssa A’s expressiveness, there is quite a lot to enjoy in Slastyonoff‘s pictorial. The art direction, lighting, and styling — including the model’s white ensemble of stockings, panties and frilly top — is harmonious and flattering. Even fully dressed, as she is in #023, Alyssa A presents an alluring proposition. With her breasts exposed, eyes closed, and reclining on the sheets in #045 she’s an evocative picture of dreamlike perfection. As for explicit images, #050 gets right to the point(s) and in the cluster of shots spanning #115 through #120, Alyssa offers herself vigorously to the camera with high erotic impact.

Four of the most personality-rich shots, and thus standouts in “Noiva,” are variations on the same pose. In #027, #099, #100 and #101, she faces the camera, head down, ass up. Here Alyssa presents some real depth. Even with her eyes closed, in #100, or in #099 (her most relaxed and natural pose in the collection?) her exquisite beauty and enticing sensuality are in full effect.

A seldom traveled road in the remote and picturesque countryside provides the setting for this first-time MetArt model’s debut. Wearing nothing more than a necklace, sheer black panties, and a pair of flashy stiletto heeled platforms, Valeri B’s premiere opens with a series of bold and impressive images. If there was any traffic on this desolate road it would certainly come to a screeching halt at the sight of this curvaceous blonde.

Matiss positions Valerie B in soft shadow for the bulk of the images here, but the natural light allows for full revelation of her physical details while the background — verdant hills and craggy white peaks backed by vivid blue sky — is bathed in bright sunlight. The model’s shoes, in particular, add a bit of stripperish glamour that may be slightly out of place in the rustic location, but the result is ultimately satisfying.

Valeri B has an attractive energy and her performance here is confident and relaxed. She does seem to be enjoying the experience, and if these are her first nudes one can’t help but be impressed by her natural ease in front of the camera. She’s impressive physically, as well, with a body that mixes plush curves with an underlying strength and athleticism.

“Presenting” Valeri B offers a wide variety of poses and compositions. Intimate close-ups are balanced by an assortment of headshots, and at the end of the set Valeri B appears in a little black mini-dress — even fully clothed this new MetArt model is unquestionably sexy.

Wow. I could stop there and be satisfied that I’d accurately and concisely conveyed my reaction to this MetArt erotic gallery. But this model is so impressive, and the photography is so skillful, that I will elaborate.

The magic begins at the very beginning — image #001. It’s a headshot and Margita Lesna calmly gazes at the camera with her big, dark blue eyes. The lighting is subdued, the room behind her shadowy, her beauty truly luminous. Yes, this photo, in its restrained way, elicits a “wow” from me. But at this point I have no idea how many more wows are still in store.

There is a logic to Arkisi‘s pacing through the series, but it doesn’t waste any time getting explicit or drawing out the tease unnecessarily. By #015 we’re treated to a luscious close-up of Margita’s femininity framed by the fingers of both hands — yes, another wow-inducing image.

There’s much, much more in the way of eye-popping erotic imagery in “Diffusio,” but the impact of this set comes as much from its beauty as from its steamy and inviting sexuality. The lighting, the relaxed atmosphere in this particular bedroom, the costuming (fishnet hose and little else), styling, art direction, all these elements work in rare harmony.

Margita Lesna’s beauty is absolutely wow-worthy. Her gorgeous face is framed by a luxurious mane of long wavy hair — in #035, #036, and #037 it plays a starring role. And this model’s lips, full, plump and luscious are also notable. But then, so much of her is. In shot after shot I find myself murmuring…wow.

Tasteful pin-ups, a varied selection of headshots, steamy explicit poses, and all captured with a smooth, understated style. Arkisi’s “Diffusio” starring Margita Lesna skillfully showcases a gloriously gorgeous and glamorous model.