Category Archives: Movie Reviews

As I write these words, Emily Bloom is sitting in the fifth position on MetArt‘s Top Model rankings. This young woman is particularly popular with the MetArt membership, and for a variety of reasons. I blogged about her very first photo series, and, based on my initial impressions her rise to the top and enduring popularity surprises me not at all.

And in just a couple of days Emily Bloom takes the next, long-awaited step in her MetArt career: On Sunday her very first MetArt HD erotic movie will be added to the site. This is truly cause for celebration. And let me say, enthusiastically and completely without reservation, that the movie is well worth waiting for!

But in “Ablego” there is no waiting required! From the moment Emily Bloom appears on screen her stupendous breasts are fully exposed, and when the camera pulls back we see that she’s very nearly naked, wearing only a skimpy crocheted top and “skirt” that does little to conceal the eye-popping perfection of this Top Model’s exquisitely beautiful body.

Director Fenix takes a simple approach and lets Emily Bloom’s beauty and charm fill the frame. And what a charmer Emily is! My god, when this girl smiles — and she smiles early, often, and throughout the production — it’s enough to give the viewer goose bumps. What an angel!

This breathtaking nubile radiates gentle, delicate, innocent, sweetness. But she’s also completely uninhibited and totally at ease exposing every luscious bit of her extraordinarily enticing anatomy. In “Ablego” we don’t catch mere glimpses or fleeting flashes of Emily Bloom’s intimate attributes — she presents them willingly, generously, and without hesitation, and the lens moves in close and lingers. Perfect!

“Ablego” is a genuine treat, a feast for the eyes, and worthy of the highest praise. Emily Bloom’s future at the top of the MetArt Top Models list seems guaranteed. And I wouldn’t be surprised to see “Ablego” rise to the heights of the Top Movies roster, either!

The time constraints imposed by the MetArt HD erotic movie format present both a challenge and an opportunity. Directors sometimes struggle to fill the short span of time, occasionally recycling footage shot over their shoulders during a still photo session. Others rely excessively on the prop closet in an effort to create visual interest. But the masters of this very specific type of film making know how to transfer the beauty of MetArt erotic still photography into the moving picture format in ways that are both surprising and satisfying.

In “Athena” the artist Koenart employs a stylish, painterly still photographer’s eye, and deftly combines it with a cinematographer’s sense of pace, atmosphere, and movement. The result is moody, evocative, engaging, and accomplished. There are moments here, still images — headshots, figure studies, explicit close-ups — that would shine in a MetArt gallery. And yet they are perfectly integrated in a smoothly flowing, seamless, lyrical visual continuum. The soundtrack was also particularly well chosen, contributing much to the flavor and pace of the production.

But Koenart, as gifted as he is, didn’t create “Athena” by himself! The artist is nothing without his muse, and here his subject, his star, is the film’s center, its subject, its reason for being. I was privileged to evaluate Diana G’s MetArt debut (also shot by Koenart) and she impressed me with her confidence, her beauty, and her lithe, limber physicality. Everything that moved me about Diana G back then is present and on display in “Athena.”

“Athena” is not flashy or theatrical. It’s quiet, moody, intriguing, and subtly involving. It is more than a collection of beautiful erotic images and it is far greater than a simple video tape of a lovely nude model. In so many ways “Athena” shows us just how beautiful a MetArt HD erotic movie can be. See it for yourself and please feel free to share your own reactions in the comments, below.

Can a single three-letter word qualify as a concise movie review? In the case of the MetArt HD erotic movie titled “Lektion,” the answer is an emphatic yes! Mere seconds into the film I said, out loud, “Wow!” And as I continued to watch that word was repeated, over and over again.

The primary inspiration of these enthusiastic, almost involuntary exclamations of awe and delight is the film’s star, Mia D. I had the profound pleasure of critiquing her MetArt debut, and I was mightily impressed. A subsequent photo series, as well as a movie made it plain — Mia D is a true beauty and a genuine talent. And her beauty and talent are both front and center in this wonderfully wow-inducing short film.

I’ll praise Mia D’s performance in greater detail shortly, but I’d be remiss if I didn’t first take a moment to give credit where credit is most certainly due. Leonardo has done an absolutely brilliant job here. His direction, cinematography, and editing have produced an impressive and completely enjoyable experience. Blink at your own risk — you really don’t want to miss a single beautiful second of “Lektion.” Wow. It really is that good.

I’ve decided that the “D” in Mia D stands for Delicious. Well, it might also stand for Delight. Or Doll. She is all those things, in abundance. And Leonardo’s lens captures that delicious delightfulness with stylish, effortless ease. The look on her beautiful face at the :20 mark, as an off-camera fan fills her short floral skirt with air is priceless. With a sly smile, the bat of an eyelash, a sidelong glance, this model can work absolute magic.

The pacing and the camerawork have a leisurely feel — some shots appear to be in slow motion even if they aren’t actually slowed down. And that’s a definite asset because every second, each individual frame, seems to offer a unique bit of beauty. Raising her skirt (at :40), exposing her pert breasts (at 2:00), kicking her dress aside (at 2:20), and kneading her stiff-nippled tits with both hands (at 4:30) are highlights in a film absolutely brimming with similarly delightful moments and images.

Thank you, Leonardo, for capturing and presenting this gorgeous girl so beautifully. And thank you, Mia D, for sharing all you have to offer with us. I could easily say more, but I’ll sum it up with one word: Wow!

Seven minutes and fifty-one seconds is not a lot of time. That’s just one of the fundamental challenges posed by the MetArt HD erotic movie format. To be frank, I’ve seen several of these short subjects that seemed far longer due to their lack of compelling action or failure to make any sort of engaging erotic or creative statement.

With “Empiria,” photographer/artist/director Ivan Harrin demonstrates mastery of the format. Yes, it’s just under eight minutes in length, but every second is entertaining and enjoyable. Harrin’s concept, style, and execution are brilliantly suited to the format, and aspiring MetArt filmmakers would be well advised to study this offering.

And the talent in front of the lens is every bit as impressive. As “Empiria” begins we see Milana G, in profile, standing behind a curtain of crystal beads — it’s a beautiful image of a beautiful girl. Within seconds — she smiles at the 10-second mark — she has my undivided and enthusiastic attention. And it just gets better from there on out.

Milana G has a slender, shapely body and the soft lighting brings out its contours wonderfully. She also has a nuanced personality, laughing, then thoughtful, then sexy. There are moments, many of them, when I’m struck by her beauty in individual frames — Harrin really knows how to apply the still photographer’s sensibility to motion pictures.

Totally nude throughout, when Milana G steps away from the beaded curtain she moves to a picture window facing a busy street. Pedestrians are clearly visible in many shots adding a bit of exhibitionist/voyeur sizzle to the proceedings — one fellow nearly sprains his neck turning to gawk at the gorgeous nude girl looking out at him. Priceless.

Some bold, explicit views spice up what is already a spicy concoction, and as an unexpected bonus we’re treated to a brief bit of “blooper” footage (in stylish black and white, no less) as “Empiria” nears its conclusion; as well as a short, fully clothed moment as Milana browses the offerings at a street-side stall. A gorgeous girl in a stylish, eye-pleasing and completely enjoyable film. Highly recommended.

A girl doesn’t become a MetArt Top Model by accident. It takes great beauty, of course. But beauty, in and of itself, isn’t enough. There are certain qualities, an ability to project the personality, what we might call being photogenic, that are also crucial. Girls who attain and retain Top Model status have a knack for connecting with the viewer, it’s a gift, and MetArt members recognize and respond to it. And Divina A has this gift in abundance. Oh, she’s beautiful, make no mistake. But she’s also utterly and completely charming, and the combination is what makes her a resident of the uppermost ranks of MetArt Top Models.

Divina A became a Top Model shortly after her debut photo set appeared on the site (I evaluated it here). And I’ve reviewed subsequent pictorials as well as one of her MetArt HD erotic movies. When I noticed that “Faccia” had been added to the site I had to have a look. It will surprise absolutely nobody that this movie is a delight from start to finish.

Director Leonardo wisely keeps things simple. He’s dressed his subject in sheer red panties and a pair of very high heels. She’s standing in a portico and begins undulating and dancing in place almost immediately. The moves are supremely sexy, but it’s the lively, inviting smile on Divina’s beautiful face that keeps the viewer’s eyes riveted to the screen. I really get the feeling that Divina is enjoying herself here, that she takes pleasure in performing for the lens and for her audience. She’s confident and assured in her movements and attitude, and comes across entirely natural — she’s polished, but not at all forced or false.

Leonardo takes full advantage of this opportunity. While giving Divina the freedom to display herself, he takes care to frame her at a distance and up close — we get the long shots along with delicious up-close details and have ample opportunity to study that amazing body and that super-cute face. The lighting on this overcast day proves to be a blessing and the lean and toned physique of this stunning specimen is rendered and revealed in amazing sculptural detail as Divina A struts her spectacular stuff. What a body, what a beauty!

If you want to see a MetArt Top Model in top form and at the top of her game “Faccia” is the film for you.

The star of this MetArt HD erotic film is a newcomer to the site — this is only Aria Amor’s second appearance here. The filmmaker, Holly Randall, is also a relatively recent arrival at MetArt, but she’s a seasoned professional with an expansive portfolio. This particular pairing, artist and model, results in something approaching perfection.

I will quickly and briefly mention the only flaw I can find: there isn’t much in the way of explicit imagery here. While that is a statement of fact, it doesn’t diminish my enjoyment of “Bourgeon” in the slightest. This is an exceptionally enjoyable film, and credit for that is shared by the star and her director.

Aria Amor is a visual treat. She’s tall, standing 5-11 (taller still in a dramatic pair of platform high heels), and that slender, graceful physique is enhanced by a pale, creamy complexion. Aria’s long, auburn hair frames a beautiful face, and her dark hazel eyes glitter with playful energy. She’s also got a warm, engaging smile which she isn’t afraid to show off, and when the camera lingers on Aria’s face it’s impossible to look away.

Holly Randall‘s camerawork and editing is polished, fluid, and effective, and her knack for art direction and set design is truly impressive. She’s dressed her star and the set in red and black. A single chair and the glossy studio floor are black, as are Aria Amour’s lace high-waisted panties and gloves. She briefly wears a mask of black lace over red satin (which matches her previously mentioned shoes), and the backdrop is a wall upholstered in red satin. A beautifully conceived stage for a beautiful young model.

“Bourgeon” is a visual and aural delight — the music is perfectly suited to the style and pace of the film — and all of the various elements work together in perfect, seamless harmony. A beguiling star turn by Aria Amor, and a masterful creative achievement from Holly Randall. I suggest you savor the sweetness of this production at your earliest convenience.

One of the many enjoyable aspects of the MetArt experience is discovering a new model and then having the opportunity to watch her as she adds additional galleries to her portfolio. I enthusiastically blogged about Anita E’s first MetArt erotic photo series, and I enjoyed her in a subsequent MetArt HD erotic movie performance. Today I’m fortunate enough to be reviewing another movie — the 18th appearance by this charming and exceedingly attractive MetArt model.

Based on my previous experiences with Anita E I expected to enjoy “Fortuna,” and after mere seconds my expectations were met. Wearing an orange dress and carrying an umbrella and a straw bag, Anita arrives at a rocky stretch of shoreline. She quickly sets up camp, then drops the dress to reveal her beautiful breasts and shapely body. Before even a minute has passed she’s removed her skimpy bikini bottoms and is totally, gloriously nude.

What follows in this production from director Luca Helios is as simple and enjoyable as a day at the beach. Anita E basks in the sun, splashes in the water, lolls on the pebbly sand, and shares her alluring natural beauty in a naturally beautiful setting.

I suspect that “Fortuna” was shot late in the afternoon — some of the film is the slightest bit dark, but at other times the light imparts a warm glow to Anita E’s skin. Luca’s camera captures the casual and spontaneous action from a pleasing range of angles. Yes, he does get up close for a generous amount of intimate revelations, but he also shoots from a distance allowing us to savor the sight of Anita’s truly beautiful body in motion. This model has a lively spirit and an exceptional body and I doubt I’ll ever get tired of looking at it.

“Fortuna” runs no risk of wearing out its welcome, either — the film’s 6:44 run time may be short, but it’s undeniably sweet. Anita E is a peach, and having the chance to watch her frolic on the beach is sweet, to say the least.

At the visual banquet that is MetArt, nude photo galleries are the main course, and HD erotic videos are side dishes. A quick look at the “menu” proves my point — as I write these words there are 12,402 photo sets offered, compared to “only” 1,038 movies. Pictorials will always be the signature offering at MetArt, but I expect to see more and more emphasis placed on movies in the months and years to come. And after watching “Versu” I can only say this is a very good thing!

There’s been some discussion in the comments lately about the value of seeing a model in street clothes, prior to, or after seeing her nude. Director Platon Averin has seen fit to introduce us to his subject when she’s wearing denim short-shorts, a black tank top, and flat sandals — perfect. And this girl, Vanessa H, needs no more than that to show us exactly how cute and appealing she is. Fully dressed and in a public park, she has my undivided attention from the start. The idea — to call it a “story” would be to exaggerate — is that Vanessa is an artist out for a day of sketching. In the park she delights when a squirrel spontaneously runs across the lawn, and Averin’s camera tours her clothed body while she draws in her sketchbook.

Next we’re transported to a forest at the edge of a vast, placid lake. Vanessa H still has her pencils and paper, but now she’s dressed only in a white blouse. The body barely concealed by that solitary garment is trim and shapely, a nubile treat. And Vanessa H has a lovely, warm, engaging personality — she directs a lot of playful eye-contact at the camera, to the viewer’s benefit.

Vanessa strolls down to the water’s edge, eventually removes her blouse, plays and poses in the shallow water, then gets “dressed” and returns from whence she came. I only hope she comes back soon. I also look forward to more from director Averin — his mastery of the moving picture medium makes a “side dish” like “Versu” extremely appetizing!

It was love at first sight. Actually, it was also love at first set. I was lucky enough to review Lily C’s debut MetArt erotic gallery, and I’ve been assigned several of her subsequent series, as well as two of her MetArt HD erotic movies, and I’ve loved them all. This is one model who never disappoints. I love, love, love, love, love this model! And, clearly, I’m not the only one who loves her — at this moment Lily C is sitting at #10 on MetArt‘s Top Model rankings. This girl is beautiful, talented, and justifiably popular.

Here this adorable and alluring nymph is teamed with Luca Helios. Wearing a pareu over her bikini, and carrying a bag of beach supplies, Lily C. walks along the broad, flat rocks at the seaside. She spreads out a blanket, quickly disrobes, applies glistening oil to her bronzed body, and generally enjoys a bright and sunshiny day at the seaside.

Really, that’s pretty much it in the way of story or narrative, but Lily C is so pleasing to the eye and has such a lively and engaging personality that every second of the viewing experience is pleasurable. Helios has no need for dramatics or flashy technique, he records the unfolding action from a variety of distances and makes sure to include enough explicit revelations to satisfy that particular craving.

Lily C’s long hair, which she usually wears in a wavy style, is worn straight in “Deniz” and it’s particularly flattering. Her body is as toned and shapely as ever, and perhaps a bit leaner, and when she applies oil to that glorious shape the effect is mesmerizing. Whether she’s squeezing her pert breasts, kicking her feet in the water, tiptoeing gracefully at the water’s edge, rinsing her torso with water, or splashing playfully at the camera, Lily C is a delight. In a final teasing and sexy touch, when the film approaches its conclusion Lily C puts her blanket and clothing back in the bag and walks away completely and totally nude. Any bystanders in the parking lot have a real treat in store. But MetArt members can enjoy that treat immediately by screening “Deniz” as soon as possible!

“Krilus” is currently the Top Rated MetArt HD erotic movie. Not only is it #1, it’s also one of only two movies in the MetArt collection to have received a perfect 10 in member ratings. What makes these two statistics even more impressive is that the video was released early in 2006 — to remain in this lofty position for so long is quite an accomplishment.

Much has certainly changed since this production was created, in terms of technology as well as style and fashion. But “Krilus” doesn’t feel the slightest bit dated, even if it doesn’t boast the current wide screen format or benefit from cutting edge technical effects. And while styles may have changed since Voronin created this offering, standards of beauty have not — and both his stars are exceptionally beautiful and appealing.

“Krilus” swings between playful and passionate. Ira A and Sharon E are joking and laughing one moment, and generating real sexual heat the next. Yes, despite the absence of any overtly sexual contact, this film is a hot one. There is no extended kissing, but the teasing, flirtatious way the girls use their mouths, lips, and tongues is highly erotic. There is plentiful caressing and groping — both those shapely bodies are well worth the effort. And while we never see an erect nipple being hungrily suckled, the act is implied and the effect is absolutely arousing.

There’s no story in “Krilus.” Sharon E is nude from the start, and when Ira A enters the frame a moment later she’s wearing lace-up boots and a matching bra and panties set. They take their positions on a long bench strewn with pillows and begin to play. The temperature rises quickly even with the initial absence of explicit shots — the eroticism here is often the result of what we don’t see, what’s implied. We are eventually treated to some reasonably explicit views, and even in more modest poses both girls show off their bodies to excellent and enticing effect.

While “Krilus” is enjoyable in and of itself, it also serves as a reminder of how much superior erotica is contained in the vast MetArt archives.