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“Sinota” starring Candice B — subtly sensational…

Candice B: Sidota, by Flora, Metart HD erotic movieI’m a huge fan of Candice B. There are literally thousands of beautiful girls in the Metart archives, and I have dozens, if not hundreds, of personal favorites, but Candice B is special, and she’s always near the top of my short list. And I’m far from alone in my affection for Candice B: she’s currently #6 on the global Top Models list. Pick her apart if you must, savor every delicious detail of her physical body, her modeling skills, and her personality, and you still wind up with girl who is far greater in total than the sum of her stupendous parts. Candice B has “a quality,” she’s got “it,” and I – among her many, many admirers – can’t resist her. From her Metart debut, up to this moment, I’ve loved anything and everything she’s done. And “Sinota” (or “Sidota” as one graphic artist dubbed it) serves up still more pure Candice B perfection.

Metart contributor Leonardo shot the vast majority of the pictorials and movies in Candice B’s portfolio. In fact, only two other artists — Albert Varin and Flora — have shot her for Metart. When I realize that Flora directed “Sinota” I sense that I’m in for a genuine treat. Flora is emerging as a major talent in the short movie format and the prospect of seeing her work with a cherished model like Candice B is irresistibly enticing.

And I quickly (and delightedly) discover that this two-woman team, director and star, deliver a delicious one-two punch of pure erotic cinema perfection. For eight engaging minutes we’re treated to visual beauty, tantalizing tease, beguiling personality, and sweet, steamy, eroticism.

Flora is an artist who knows how to achieve more by using less. “Sinota” is a study in minimal simplicity that places her star in a tastefully decorated bedroom, beautifully lighted, with just enough options to provide variety and visual interest. After that, it’s all Candice B.

Candice lounges on the bed, she’s bottomless, wearing a cream colored sweater and an elaborate pearl necklace. She is wonderfully expressive from beginning to end. There’s innocence, sweetness, honesty, flirtation, and genuine warmth in her performance. And she seems to delight in revealing more and more of her body until she’s completely nude and utterly and explicitly exposed. Neither Candice nor Flora is at all shy, and “Sinota” is filled with frame-filling views of exquisite intimate anatomy. Each revelation elicits maximum impact and beauty, and there isn’t a wasted second in the beautifully paced performance.

With solo piano providing the soundtrack and Candice moving from position to position, then stepping off the bed and providing still more charm and beauty while standing in front of a curtained window, “Sinota” is a work of erotic art that is both subtle and sensational at once. Very highly recommended.

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“Muhica,” starring Sabrisse A — lovely, liquid, interlude…

Sabrisse A: Muhica, by Luca Helios, Metart HD erotic movie

When I critiqued Sabrisse A’s very first Metart erotic photo gallery I noted a moody, thoughtful quality in her presentation. Now I have the welcome opportunity to view her very first Metart HD erotic movie, “Muhica,” and I can’t help but wonder if the qualities I so enjoyed in her still photos would translate to motion pictures.

I have my answer almost immediately after pressing “play.” And that answer is an emphatic “Yes!” Luca Helios, who shot this model’s debut, is in the director’s chair for “Muhica.” While the artist also crafted a still photo collection at the same location — you’ll find “Perenne” here — this is not one of those movies in which the video is shot over the photographer’s shoulder as he shoots his pictures. “Muhica” is a stand-alone, no-excuses, short film, and quite a beautiful one, at that.

The setting certainly helps — the action takes place in and around an infinity pool overlooking a lush forest. The crisp angles of the deck, the smooth surfaces, the crystal water, and a stylish outdoor shower crafted of stainless steel, provide a pleasing and versatile “stage” for Sabrisse to perform on (and in).

The moody, thoughtful qualities I noted in Sabrisse’s debut are, indeed, on display her, as is her splendidly shapely body. And so is an elegance and grace in motion — Sabrisse absolutely knows how to move in an eye-pleasing and dance-like manner that has a mesmerizing quality. She strips out of her bathing suit quickly, and then spends the balance of the film diving into the pool, swimming, walking along the edge of the pool, posing on the polished deck, and finally bathing in the rain-like spray of the shower.

The pace here is leisurely, almost liquid in its smooth, gentle tempo. Sabrisse A, at long range or in explicit close-up, is a physical and visual delight, and Luca Helios knows how to capture her with an unobtrusive style that gives Sabrisse the space and freedom to flow with her emotions and express herself with honesty and great beauty. As the Summer of 2014 continues to sizzle, “Muhica” offers a cool, refreshing, beautiful, and invitingly erotic interlude.

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“Calathe,” starring Gillian B — breaking barriers, beautifully…

Gillian B: Calanthe, by Flora, Metart HD erotic movieWhenever Metart‘s collection of HD erotic movies is mentioned — either on this blog or in member comments — controversy is quick to follow. Some members object to the so-called “behind the scenes” movies (filmed over the photographer’s shoulder during a still shoot). Others mention the lack of action, or plot, or explicit imagery, or a general lack of creativity and inspiration on the part of the filmmaker.

Metart‘s creative team is well aware of the challenges the format presents. They’ve issued new standards to the directors of their films, strongly discouraging behind the scenes style productions. Although I have been less than impressed by some of the Metart films I’ve viewed, I still think the genre — short, stylish, narrative-free, soft-core erotica — has real potential. And I’ve critiqued several films that were of remarkable quality, genuine works of erotic art. I’ve just added “Calathe” to my personal favorites list — if you’ve been disappointed by Metart‘s films in the past, this one is going to make you a believer.

Director Flora is quickly distinguishing herself as a master of the Metart short film formula. The concept, art direction, cinematography, editing, and thoughtful style she employs in “Calathe” are very much in the Metart mold, but she also explores the boundaries of the genre. How explicit is too explicit for Metart? Flora — and her beautiful, shapely, and uninhibited star, Gillian B — address that question by pushing the limits of the soft-core genre. In the process they break through some barriers, and they do it beautifully and with maximum impact.

Gillian B, wearing a bright green lingerie ensemble and red heels sits on a couch in a room decorated in a retro-mod style. From the beginning she radiates a warm, playful, seductive attitude. It’s not at all forced, and it’s completely engaging. She reveals her breasts with a flourish, and, in a tightly framed portrait of perfection, teases her nipples.

Throughout the film Flora periodically cuts to black, creating a visual pause, then returning to the scene. And as that scene progresses, and Gillian removes her panties, those pauses allow the viewer to catch his breath — this is a hot, explicit, and highly erotic film!

Gillian, a sly smile never far from her luscious lips, tiptoes — or should I say “tipfingers”? — right up to the edge of outright masturbation. She strokes the soft skin surrounding her sex, then she pets, strokes, and plays her hands seductively across the open, pouting, glistening petals of her femininity.

Moving from the sofa, on her knees, legs spread, back to the camera, Gillian B continues her eye-opening/eye-pleasing display. The explicit detail is a torrid treat, Gillian’s performance an enticing, pulse-elevating exercise in seduction. With “Calathe,” Flora and her glorious star set a new standard for Metart short film excellence, and they do it with skill, finesse, beauty, sensuality and by breaking barriers, beautifully.

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“Aglais” starring Amelie B — an incendiary interlude…

Amelie B: Aglais, by Flora, Metart HD erotic movieThe word is “hot.” There are countless other ways one might describe the star of “Aglais,” but that three letter word is a simple, concise, and accurate description of Amelie B. She’s beautiful. She’s intriguing. The various aspects of her physique, her face, her eyes, that long, dark hair, every detail contributes to her overall perfection. But the single most striking aspect of this performer is the pure and plentiful erotic heat she radiates.

I’ve commented on one of her Metart erotic photo galleries in the past, and Amelie’s sexual fire made quite an impression on me. But even that didn’t prepare me for how hot she could be in a motion picture. Flora, the director of “Aglais” clearly appreciates Amelie’s beauty as well as her smoldering sex appeal. The artist places her star on an uncluttered set. She’s wearing an emerald green dress and is seated on a lime green sofa. The film begins, Amelie starts to move, and the heat rises, without cease, until the final fade-out.

Neither Amelie B or Flora keep the viewer waiting. We’ve seen everything Amelie has to offer before even a single minute has elapsed. But the revelations continue. Explicit footage of the pulse-pounding, eye-opening, and irresistibly inviting variety is featured. And even the soundtrack, with its sampled heartbeats and exploding fireworks, reinforces and emphasizes Amelie B‘s searing sexuality.

“Aglais” is erotic poetry in motion — constant, undulating, writhing motion. Amelie’s hands roam across her body, teasing and flirting with her succulent sex, guiding the eye, tempting, and constantly stoking the fire.

With “Aglais” director Flora proves that she’s a master of the erotic short film format. And Amelie B demonstrates that — in addition to all her other gifts, charms, and abilities — she’s hot.

Enjoy the film, and feel free to share your reactions in the comments, below.

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“Bidaia” starring Alyssa A — beauty that seduces, subtlety that smolders, heat that scorches…

Alyssa A: Bidaia, by Flora, Metart HD erotic movie

I’ve only reviewed a single Metart erotic photo gallery featuring Alyssa A prior to today. My reaction to that set, in essence, was that she was a very beautiful and talented model, but that her performance was somewhat restrained and lacking in spontaneous emotion. Now, after seeing her in the Metart HD erotic movie titled “Bidaia,” I have a much deeper understanding of how this exquisite beauty works, and I’ve seen with my own two eyes exactly how wonderfully and subtly expressive she can be. “Bidaia” is a fine production in its own right, but it also gives the viewer a more multidimensional appreciation for the talents and abilities of Alyssa A.

“Bidaia” was conceived and created by Flora, an artist who’s work I’ve never see until now. Well, better late than never! The director has an impressive grasp of the erotic short subject format, and does wonders with the simple yet evocative set design, editing, cinematography, and pacing of the film. Although it’s not even seven and a half minutes long, “Bidaia” unfolds at a measured, deliberate pace that makes the film feel much longer than it actually is. Every action, every image, every transition is perfectly timed and executed for maximum beauty and erotic impact. When a director this gifted is paired with a model this enticing the resulting production is irresistibly enjoyable.

The setting is perfectly simple and simply perfect — a large upholstered love seat is backed by a picture window covered by filmy white curtains. Backlighting bathes the room in soft, diffused illumination. Alyssa A, in matching pink bra and panties, poses even as she remains in near constant motion. She also interacts directly with the camera providing powerful eye-contact in the opening moments of the film that immediately engages the viewer. After 75 seconds or so the bra comes off revealing the perfection of Alyssa’s breasts, and shortly thereafter she removes her panties. Flora’s camera hangs back, drinking in the sight of Alyssa as the model caresses herself, and just when the viewer hungers for a bit more…he gets it!

With a deft cut the camera is in close and filling the screen with the pretty, pouting succulence of the model’s intimate anatomy. And the camera lingers, waiting, watching, as the Alyssa’s delicate fingers circle and stroke the soft skin surrounding this most erogenous zone. A change of pose results in even more wonderfully explicit detail to delight and arouse. And then, in a clever twist, the film moves to its conclusion with a tightly framed headshot during which Alyssa A’s beautiful, seductive and understatedly expressive face can be fully appreciated. Both Alyssa A and director Flora earn high praise for the erotic gem that is “Bidaia.”

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“Teria” starring Halena A — bed, room, eyes, and so much more…

Halena A: Teria, by Alex Sironi, Metart HD erotic movieI’ve never had the opportunity to comment on any of this model’s Metart erotic still photo galleries. I did have the distinct pleasure of evaluating her first Metart HD erotic movie, however. And today it’s my job to critique her second cinematic offering. Although I’ve had only limited experience with Halena A, I approach “Teria” enthusiastically and with great expectations.

It only takes a few moments before those expectations are met. Director Alex Sironi has styled the set and his subject to perfection. Halena, wearing a mini-dress, is seated on the edge of a heavy wooden bed. She’s barefoot and her long, dark hair has been coiffed into flattering, flowing curls. Before even ten seconds have elapsed she looks directly into the lens and I’m hooked. There is a lot to like about this model, but the way she plays to the camera is a real highlight of “Teria.” Teasing, flirting, playful, intriguing — the look in those eyes and the expressiveness of that undeniably beautiful face is nothing less than delightful.

We quickly discover that Halena A isn’t wearing any panties, which is a good thing, I think, although lingerie enthusiasts might beg to differ. That flirty little dress begins to come off shortly thereafter, revealing those delicate breasts and then the perfection of that petite and perfectly proportioned frame in its undraped glory at the 00:50 mark.

As she moves around the bed Halena A not only reveals every exquisite detail of her beautiful body, she also continues to interact directly with the lens. Even when she’s entirely exposed in explicit and inviting poses she’s watching, connecting, sharing with her many unseen admirers. Just after the 4:00 minute mark Halena crawls across the white sheets towards the camera and the expression on her smiling face is irresistible.

And then, with a smile and a wave, “Teria” comes to an end. Just shy of 5 minutes in length, this film is short, but it is also exceptionally sweet. Alex Sironi has done a fine job of showcasing this beautiful, talented, and sexy model. And Halena A has left this viewer wanting more. Highly recommended.

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“Parimia” starring Vanessa H — bedroom with a view…

Vanessa H: Parimia, by Alex Iskan, Metart HD erotic movie

“Parimia” is Vanessa H’s fourth contribution to Metart, and it’s her third Metart HD erotic movie, so she’s one of the relative few models who have done more movies than still photo galleries for the site. Statistics aside, this is a very sexy and appealing girl, so any chance to see her is most welcome, no matter the medium.

Alex Iskan, who also shot Vanessa’s still photo debut, is in the director’s chair for “Parimia.” It’s morning and Vanessa wakes up in a big bed in an ornately furnished boudoir. When she peels back the sheets we discover that she’s totally nude, an added bonus as she stretches, sprawls, and lolls on the bright white linens.

Those white sheets serve to accent and emphasize Vanessa’s recently acquired tan lines. And the marks left by her skimpy bikini accent a body that is lean, toned, and extremely inviting. I reviewed an earlier movie starring Vanessa H (you’ll find my comments here) and in that appearance she was paler and somewhat “softer” physically. Iskan artfully explores Vanessa’s toned anatomy using the light that shines through gauzy curtains to bring out the sculpted contours and definition of that beautiful body as it moves around the bed and around the room. The use of a high, overhead angle, looking down on the model from above, is particularly appealing and revealing.

Parimia” starts off fairly tame, despite Vanessa’s total nudity. But the heat builds steadily and we’re treated to numerous, extended explicit views of Vanessa’s enticing intimate treats. At around the 4:34 mark she’s spread wide and seductively thrusting her sex at the viewer. And at the 9:35 mark, when she’s massaging the area at the top of her thighs, she throws a subtly seductive glance at the camera to excellent erotic effect.

At just over eleven minutes, “Parimia” offers ample opportunity to savor and study this seductive specimen in a stylish, evocative atmosphere. Vanessa H‘s performance is spontaneous, natural, and entirely uninhibited, but her sultry sexuality is tempered by an undercurrent of irresistible cuteness — her little sign-off at the end is the perfect conclusion to a beguiling and beautiful bedroom interlude.

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“Tideni” starring Zemira A — maid in the shades…

Zemira A: Tideni, by Rylsky, Metart HD erotic movie

I don’t think I’ve ever critiqued two Metart HD erotic movies back-to-back in the history of this blog. That fact, in and of itself, seems reason enough to go ahead and do just that. There was no rhyme or reason to my selection method, which isn’t always the case. Here I simply chose the most recently released movie and pressed “play.

I don’t go into “Tideni” completely unaware and uninformed, however. I’m familiar with the star of the piece, Zemira A, because I had the pleasure of reviewing her very first Metart erotic photo gallery, and I liked it quite a lot.

As it happens, the artist who shot Zemira A’s debut, Rylsky, also directed “Tideni,” and his involvement is enough to create interest and heighten anticipation.

Rylsky is a thoughtful, opinionated, and insightful artist. He’s part technician, part sculptor, part psychiatrist, and part psychic. He not only captures the outside of a model, he strives to get into her mind to expose her emotions. In “Tideni” he takes on the role of storyteller, and adds a bit of mystery and magic to the mix.

Zemira A, elegantly dressed, strides down the street. She enters a café and takes a seat. She notices a pair of sunglasses on the table before her, then picks them up and tries them on. Instantly her view — and the viewer’s — changes. Now Zemira is totally nude and lounging on a bed. Surprised by what she’s seen she takes the sunglasses off, we return to the café, her curiosity is piqued once more, she puts the shades back on, and we return to the nude bedroom scene. It’s a cleverly devised and executed little trick!

The nude scenes — which constitute the bulk of the film — find Zemira A in that previously mentioned bedroom, and then in a living room. The camera takes its time lingering over the details of Zemira’s body. Her breasts — those sensationally shapely, firm and inviting orbs with their perfect plump nipples — are featured, as well they should be. In the living room setting we also get a long look at the model’s backside and her long-limbed body.

Zemira’s personality is on display throughout. There’s something slightly self-conscious, but entirely charming, about her performance. She’s not quite shy, but there’s a tentative, somewhat uncertain aspect to aspects of her performance. Make no mistake, Zemira A is nothing less than adorable — perhaps she just needs to appear in a few more movies to hone her motion picture performance style.

In “Tideni,” Rylsky has created an engaging and clever little story to showcase an eye-pleasing and libido-teasing beauty to excellent effect. Well done.

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“Matiki” starring Yani A — a tidbit that tempts and teases…

Yani A: Matiki, by Alex Sironi, MetArt HD erotic movieI’ve commented on two Metart erotic photo sets featuring this model previously (see here and here) and I’ve enjoyed her from the first frame to the last. Yani A is young, cute, has a wonderfully expressive and inviting personality, and a particularly fine body. The two still series I’ve seen were shot by different photographers and differences in style and approach don’t dim or dampen Yani’s appeal. In this Metart HD erotic movie I get to see her work with another artist, and I relish the opportunity to see this truly tempting model in a motion picture.

My high expectations and eager anticipation are almost immediately satisfied. Director Alex Sironi has Yani A lounging on a sofa in a softly lit room on a quiet afternoon. She’s listening to music on her phone and the melody quickly inspires erotic thoughts. As her hands slide across her dress her skirt slides up and we’re treated to a quick explicit glimpse of her shaved perfection. Yani’s beautiful breasts are exposed next, and she’s totally nude before a minute has passed.

Yani A knows how to move, and she’s as comfortable and at ease in front of a movie camera as she is while posing for stills. She’s in her own world, enjoying the music and the moment, but she also shoots an effortless and inviting glance at the camera every now and then to let us know she’s aware she’s being watched, and that she’s enjoying the experience.

Sironi moves Yani A around the space quite effectively. She plays with the sheer white curtains in front of a window to pleasing effect. She sidles up to a full-length mirror showing off her graceful, sensuous moves as well as her mouthwatering body. And she returns to the sofa and treats us to the beauty of her body and her uninhibited, unashamed sexual spirit.

And then, three and a half glorious minutes later, “Matiki” ends. This is, without question, a short film. But it’s a gem — compact and concentrated. It is perfectly paced, splendidly shot and performed, and builds steadily in erotic impact until the very end. Yani A is a wonderful little tease, and “Matiki” is a fine showcase for model and artist, alike. “Matiki” performs a unique trick in its compact run time: it not only teases the viewer with skill, beauty, and style, it also leaves him completely satisfied — a truly tempting tidbit.

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“Pedentes” starring Halena A — not perfectly polished, but powerfully pleasing…

Halena A: Pedentes, by Alex Sironi, MetArt HD erotic movie

This is my first experience with Halena A. She has previously appeared in just three MetArt erotic photo galleries, and “Pedentes,” her first MetArt HD erotic movie, is the latest addition to her portfolio. It is an arresting and extremely enjoyable film — and perhaps the perfect introduction to this very beautiful, very sexy model.

While I admire the work of Alex Sironi, until now I have only seen his still photography — this is the first of his films I’ve viewed or commented on. It differs subtly from his still work, but “Pedentes” reveals additional, admirable, skills of this versatile artist. When I think of Sironi I think of simplicity, and this movie is, at least on the surface, an exercise in simplicity. And it also happens to be a fine showcase for an absolutely enchanting model.

Sironi doesn’t waste any time. He has Halena A exposing one of her beautiful breasts after just 20 seconds, she’s completely nude 20 seconds later, and we get an enticing explicit full-frontal view 20 seconds later — after one brief minute, “Pedentes” is at full operating temperature. And that temperature is high!

Make no mistake, Halena A is a striking beauty. Her body is without flaw, perfectly proportioned, and her intimate anatomy is particularly enticing. Her performance her isn’t what I would describe as polished, though. There’s a slightly self-conscious quality to her screen presence. But, in Halena’s case, it’s completely endearing — if she’s not entirely at ease in front of the movie camera it only makes her more appealing. If that doesn’t make complete sense, all I can say is screen “Pedentes” and you, too, will be charmed by Halena’s natural persona.

As I mentioned, “Pedentes” is a perfect introduction to Halena A. Her physical and emotional charms are wonderfully revealed here, and a skilled and talented artist has captured the tangible as well as the intangible aspects of this auburn-haired vixen. I look forward to seeing more of Alex Sironi’s films, and more of Halena A in whatever format I can find her!

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