Brigitte C. makes her MetArt debut in this informal offering from Majoly. The setting — a backyard pool — is somewhat cluttered and the primary piece of furniture is upholstered in a vivid shade of green that may be a bit too loud. The off-hand, casual nature of the series suggests that it’s something of a test sitting, a chance for a new model and photographer to get comfortable with one another.

Brigitte C. has a pleasing shape, delicate breasts, and a ripe and round rump. Her long, dark hair and big, brown eyes may be her finest assets, though, particularly when she treats the camera to a big, energetic, and genuine smile. She’s pretty when she’s pouting, or thoughtful, or seductive, but when she smiles the photos really come alive. See for yourself in #0023 and #0046.

The bulk of the set takes place on the chartreuse chair mentioned earlier, and there is a certain sameness as the series unfolds. When Majoly asks for major changes in position or alters his framing dramatically the monotony is broken. There is a sequence at the very end of the set, for example, when Brigitte C. stands up, the chair is minimized, and the sky becomes the backdrop with a very nice result. If I had to pick a single favorite image, however, it would be #0067, a somewhat formal composition that captures Brigitte’s gifts artfully.