In her bio Betty C. reveals that she works as a make-up artist. Whether she did her own preparation for this shoot, or if she was attended to by a third party professional, her presentation is polished and immaculate. In fact, the model may even be a bit too glamorously styled for the location Majoly has chosen to shoot her in. It’s a home office – a desk, mouse, monitor, printer, dangling cables – all the mundane accessories one would expect. Although it’s safe to say we’d all be happy to have as beautiful a visitor in our own home offices, it does strike me as a curious choice.
But Betty’s great beauty and alluring demeanor can more than compensate for the workaday setting. Watching Betty C. peel off her stylish underthings is a pleasantly drawn out pleasure here, and what that sexy lingerie has been covering is absolutely exquisite – above the garter belt as well as below.
Apart from the set decoration, the technical aspects of the series are exemplary. The lighting is soft and diffused – it allows Majoly‘s camera to capture every delicious attribute Betty has to offer, without a hint of glare or harshness. But, again, this display of technical skill may be a bit much for what is still only a home office. Betty C. has a type of elegant beauty that wouldn’t be at all out of place in far more luxurious surroundings. Perhaps it’s time to consult with a location scout?