“Paroch” starring Nedda A — a doll in front, a distraction in the distance…
I’m not sure, exactly, if it’s what is sometimes known as “the elephant in the room,” but there’s a large, eye-catching, bright red structure in the distant background of most of these photos. And it’s not part of the series, it’s not a graphic or stylistic element in the pictorial. Unlike a series of a girl on a bridge, for example, or at the seaside where the structure or the landscape is a primary component In each composition, this bright red architectural object is just there. In those shots where the structure isn’t shown, it isn’t missed. But in the majority it’s there, looming, and distracting from what is otherwise a pleasing series. Odd.
This is Nedda A’s second MetArt erotic gallery, and the first time I’ve seen her. She’s got a strong, pretty face, ripe lips, a thick head of shoulder-length auburn hair, and a trim, appealing body. She also boasts a luxuriant bush, which either enhances or detracts from her dramatic intimate architecture, depending on one’s personal preference.
I can’t decide if the red paint on that structure in the background complements or clashes with Nedda’s coloring and her orange dress. Here immediate setting, a lush thicket of dark green shrubs and trees and a carpet of grass, is flattering, however, and Nedda A is at ease and delightfully uninhibited in this location.
As for favorites, I have more than a few. I like #014 for Nedda’s pretty face and the quality of the afternoon light, and #015 — a standing up-skirt rearview as she teasingly lifts the hem of her dress — is certainly eye-catching (despite that scarlet arch in the deep background). The arch is absent from #085 allowing us to appreciate her delicately sculpted body and the natural setting. I love the energy and the expression in #020. And #115, totally nude and reclining in the grass, presents a natural beauty in the beauty of nature. As a bonus, the set concludes with several shots of Nedda in the city, in street clothes. She’s a doll, alright, and her smile in #138 is truly winning.
Did the red arch in “Paroch” diminish your enjoyment of this set? Did it add to your appreciation? Does anybody know what or where it is? I’d be curious to know.
Dear Adam
Coming from the desert i liked this series not just due to the green scenery as for Nedda i liked image#052 which is a lovely head shot of her-images #023-24 shows Nedda’s cute derriere-image#58 where she is on the grass out stretched with her hands above her head-images#105-106 lying on the grass stretched out on the grass-images#125-127 with Nedda kneeling on the grass are also very lovely too the same with image #116. The main problem i found with that red arch in the background kind of distracting so its not hard to lose track of the image numbers one is too busy trying to work out what it is to me it looks like one of those suspending restaurants as you can see the supporting guide wires going to it and in some images it has rotated a bit around plus one can see the windows so its not a water tank (The B.O.J pointed it out to me). As for Nedda at the end of the series wearing her street clothes are certainly different to the images in the forest nice dress sense if i may say so myself lovely facial shots too and Adam if you were distracted as i was with the red object check out image#133 the tallest of the buildings in the background on Nedda’s left hand side it has so much of a lean to it- it looks like its ready to fall over. In the end there are some very lovely photos of Nedda nude, some quite explicit and dressed and I’m not going into Nedda’s squirrel either seen enough pros and cons about this issue many a time its a ladies choice i think. Personally i think Egon chose the right setting but added the red arch in the background as a deliberate distraction a bit cheeky well both myself and the B.O.J think its a rotating restaurants as to where…a mystery Adam.
Well Its 7:30am in the morning here got time for breakfast and crank up the kenworth
Kindest Regards
rags25_Marie & The B.O.J