This is the second MetArt HD erotic movie starring Candice B. that I’ve had the pleasure of critiquing. Ordinarily, I would make an effort to review a production starring a model I’ve not yet seen in a motion picture. But I’ve been so impressed by this model’s still galleries (here and here), and by an earlier movie, that I can’t resist risking the repetition.
After viewing “Aclamat” my enthusiasm for Candice B. is undiminished. Between her exceptional physique and sweet, lively, flirtatious personality, she’s quite irresistible. But, in all honesty, this outing pales a bit when compared to earlier efforts.
The problem is one that I’ve discussed several times — and that readers frequently comment on — but with an interesting, somewhat redeeming twist. The first half of “Aclamat” is a video recording made while a still shoot is taking place — the pictorial “Sevikis” I reference above. This means several things. One, Leonardo isn’t operating the video camera. Two, the video is punctuated by flashes of the still camera’s strobe. Three, the model is playing to the still camera which distances her from the video viewer. There is one wonderful moment, at the 3:03 mark, when Candice turns her attention briefly to the camcorder, smiles warmly, and raises her eyebrows playfully.
Shortly thereafter, there’s a noticeable change in the production. At approximately 4:54 Candice transitions to posing for the videographer — who may indeed be maestro Leonardo. From this point to the conclusion, Candice B. is front and center — as befits a MetArt Top 10 model — and directing her full attention to the camcorder. Much, much better!