“Cordella” starring Ganna B — particularly pleasing perpetual motions…
“Cordella” is interesting and unusual for several reasons. For one, it is the model’s first appearance at MetArt. This isn’t actually unusual — new models are added to the site on a near-daily basis. It is unusual, if not unprecedented, for a model’s debut to occur in a MetArt HD erotic movie, however.
It is also notable for being the first Slastyonoff-directed movie I’ve had the opportunity to review. The artist’s MetArt portfolio is truly massive — it numbers 515 galleries at the moment — but a relatively small number of those are films.
Finally, the entire concept and execution of this production is unlike any that I’ve yet critiqued. It is not a video recording of a still photo shoot, so we need not revisit that tiresome conversation. But it doesn’t attempt to create a narrative or tell a story, either. “Cordella” through simplicity, artistry, creativity, and energy is a unique erotic motion picture, with extra emphasis on all three elements.
We pan up a figure wrapped in a cobalt blue satin sheet. The sheet is parted, mimicking the curtains in a theater, and Ganna B.’s completely nude body is revealed. The camera pans back down, and the motion begins — the screen will be filled with near constant motion until the film’s end.
Think of this as a combination of nude figure posing and modern dance. Ganna moves her body creatively, easily, gracefully, and constantly. And she makes fine use of her single prop, turning that shimmering sheet of blue fabric into a tactile, physical, dynamic, and kinetic dance partner.
While the performance has a fluid, spontaneous feeling, it is also completely free of repetition. There is a varied pace, and an involving tempo to the model’s movements. And there is s similar variety in the cinematic framing and style. The use of slow motion is a particularly pleasing enhancement, as well.
And all this creativity — both physical and technical — doesn’t obscure the explicit and erotic aspects. Indeed, the various elements combine in balanced harmony to yield a fine piece of vigorous and engaging erotic artistry.
Thank you Adam for enticing me into watching the video. As I’m sure you know I am not a video fan and this girl didn’t really work for me either but having watched this I have to say it is one of the best videos I have seen here.
Though the cover didn’t do anything for me the video is a work of art. Who to attribute that to is the question. The video is clear, well managed, with excellent lighting, and well cut. The set was perfectly devoid of distractions giving Ganna a clean pallet to work with. So credit is well deserved to the artist behind the camera.
But the thing that makes this video is Ganna and her wonderful talent. It may seem unusual to introduce a new model through video but in her case it was the ONLY way to truly present her talents. A still gallery would not have presented her in her environment and would have been less than complete. For the most part I am not a fan of the middle eastern complexion or body type but this young lady is wonderfully talented and her body is superbly conditioned and very in tune with the universe. She is very athletic and extremely coordinated and self aware and her use of the silk cloth was awesome. I watched throughout to see any signs of exertion and I never saw any sign of heavy breathing or sweating. Just wonderfully fluid movement. She is able to convey a very steamy sexuality in her movements without making it look cheap or lurid the way many women do. I have to believe she has formal training in the middle eastern style of dance.
I found this experience very exhilarating and very sensual and totally fascinating. Something I rarely see in Met videos.
Since you mention it, I wasn’t impressed by the cover shot of “Cordella” either. Whoever coined the phrase “You can’t judge a MetArt HD erotic movie by its cover” knew what he was talking about!