Newcomer Shirley A. makes her first appearance at MetArt not in a still series, but in a HD movie directed by Rylsky. For a young model unfamiliar with such frank displays, Shirley has jumped right into the deep end and, I think, acquits herself quite well.
Shirley isn’t exactly shy – the opening moments of the movie have her seated on a futon, with her legs spread wide revealing her appealingly unshaven privates – but she has a giddy, giggly spirit which may be an effort to conceal her uncertainty.
Rylsky has his camera on a tripod, no shaky, hand-held shooting here. And the solid platform allows a certain formality to the composition and framing of individual shots which is wholly in keeping with the Asian décor of the set.
After removing her sheer white stockings, Shirley spends some time soaking in a tub. In the closing moments she is snuggling in bed. There is some unexpected humor here as unseen hands pull the covers off of the model’s nude body, and this pleasant little vignette ends on a cheerful note.