MetArt contributing photographer Arkisi has created a subtle and effective lighting scheme for “Kerasi.” And the color palate of the bedroom he’s shooting in, with its softly glowing purple niches in the ceiling and the deep purple shag (!) carpet on the floor, provides a flattering background for his model. The addition of a single white plate bearing two luscious bunches of dark grapes is a clever touch that ties the set design together.

The model occupying this inviting space is powerfully inviting in her own right. With her pleasingly pale complexion, amply sized and superbly shaped breasts, and waist-length dark red hair, Michelle H is a truly striking specimen. I initially felt that the shade of her hair color was a bit too vivid, but it works wonderfully with the décor, and the model is so extremely expressive that I can hardly complain. In the introductory image, standing on tip-toes and wearing only a scant satin mini-slip Michelle projects a confidence and composure that is as intriguing as her physical appearance is arresting.

“Kerasi” boasts ample variety in terms of compositions and poses but it’s Michelle’s nuanced expressiveness that takes these beautiful images to a higher level. Consider two similar shots from early in the set: In #004, hands in her hair, body turned slightly away from the camera, the look on her face is warm and subtly flirtatious. In #005, hands on her breasts, directly facing the camera, her expression is now one of innocence and vulnerability.

Michelle H’s many varied moods add an emotional richness to this set that had me lingering over individual images. #051 has an real you-are-there intimacy that makes me regret I wasn’t! And numbers 117 and 122 are stylized “aerial” shots that are as flattering to the model as they are to the photographer’s skills. An impressive and expressive model, and thoughtful and stylish photography (not to mention some exceptionally powerful explicit images) make “Kerasi” a tempting treat.