“Presenting” Pammie Lee — steam in the studio…
This is one of those MetArt erotic photo galleries that hooked me after a single, casual glance at the cover. Say what you will about big, splendidly shaped, stunningly symmetrical breasts, but there’s no denying that Pammie Lee has them. And the perfection of her bosom is complemented by the intriguing expression of her undeniably beautiful face. And when I notice that this set was shot by Tony Murano I anticipate a rewarding and enjoyable experience.
“Presenting” Pammie Lee more than lives up to the promise of its cover, and it also brings up some interesting points about erotic art photography and the entire MetArt experience.
In yesterday’s post I evaluated a set that I quite liked. What I find interesting is that yesterday’s set and this one could not be more dramatically different. Yesterday it’s a girl-next-door type, shot by day in natural light, in a casual, natural style. Today it’s an exotic bombshell, styled to the nines, photographed in the controlled environment of the studio. These two sets have very little in common, but this diversity, this range, this type of variety is makes them both fit perfectly at MetArt.
There’s a steamy, dreamy, late night feel here, with perhaps a hint of New Orleans (or is it Amsterdam?) in the mood, style, décor, and costuming. Dressed, but only barely, in black lingerie, Pammie Lee presents a truly striking figure. #035, framed from the neck down and the thighs up, captures the superb curves of that hourglass shape masterfully. I also like the mood conveyed in #008, the formality of the pose in #027, the implied action in #028, the relaxed stance and smile in #049, and several of Tony Murano‘s signature explicit images, including #097 and #122. The moody, stylish presentation makes a fine showcase for this impressive new model.
I usually avoid comment on girls I don’t like but since Adam gave such a glowing report on this one I just have to play the devil’s advocate. This is one where our tastes are quite opposite. There is very little about this set that I have positive feelings about. Tony’s usual fine photography skills are slightly off in his choice of such a dark and elaborate set for a dark skinned model wearing black lingerie . She does have a lovely face but the hair style and the black hair band which makes it so unruly looking along with the black stockings and garter belt and the heels that never come off give the whole thing a cartoonish feel. I keep thinking about a Betty Boop cartoon.
Her figure is nice but the huge, too round, breasts overwhelm her otherwise fine features and that bush is just tooooo much for me, especially the way it darkly encircles her mound and makes the labia seem to leap out at you and the fact that she never removes the stockings, shoes or garter belt is a turn off for me. You never really get to see her nude and it gives the set a harsh almost burlesque feel that is very unappealing. There is little I find stimulating in this set except for the extreme close-ups near the end where that moist morsel of femininity can be seen in full delicious detail.