Tag Archives: big clit

The opening “sequence” of Rylsky’s “Calef,” starring Ilze A., takes place before a roaring fire. The model is lively, she is lovely, and her body is entirely luscious. Some of the posing, however, is curious. Do we need to see Ilze put a log on the fire when she can generate so very much heat without such histrionics?

Perhaps to answer the question, the set next moves to a lavatory equipped with a spacious spa tub. Posing next to and in the bath, Ilze now is in a far more flattering and versatile setting. The model is gifted with a firm and ripe rump, and several shots capture this particular asset particularly well — on all fours in the water, in #0074, it’s a double-bubble delight. Ilze’s physical charms don’t “end” there, however, and her entire erotic arsenal receives ample exposure.

This is a playful set, and while some of the posing feels just the slightest bit forced or contrived, Ilze appears to be having so much fun — and is so much fun to look at — that one wouldn’t dream of complaining. When Rylsky mixes Ilze A. with fire and water the results are nothing if not steamy!

It’s not quite what one would call an optical illusion, but this series played a little trick on me. It takes place outdoors. The lawn is a lush, vivid green and the hydrangeas are in full bloom. The scene is bathed in light, and the model, Nika E., is dressed only in a sheer, black shawl. Just another — quite wonderful — sunny day in the garden? No, actually. Because the set was shot late at night. Unlike the cinematic trick of simulating nighttime while shooting during in daylight — “day for night” as it is known — this might be termed an example of “night for day.” It’s an interesting twist that gives the series a bit of extra visual dimension.

Of course, with Nika as the subject, visual dimension is not at all in short supply! Although her expressiveness is sometimes confined to a rather limited segment of the emotional spectrum, her eye-grabbing physical gifts more than compensate. Whether seated in appropriate outdoor furniture, standing tall in her black, open toe stilettos, or lolling seductively in the grass, Nika eagerly delivers ample opportunities to examine and enjoy every inch of her remarkable body. Forget daytime or nighttime, in “Exikal,” it’s definitely Nika-time!

The gifts Nika E. has been blessed with are manifold. Her dark hair is set off by her rich, dark eyes. Her full bosom is enhanced, further still, by pleasingly thick nipples. Her belly is flat, almost to an athletic degree, but her body is supremely curvy, soft, and wonderfully womanly. South of the border — that border being the waistline — she boasts fleshy and generous delights that are both eye-catching and arousal-inspiring.

Leonardo’s set is the picture of simplicity. The model appears, wearing only a simple blouse, barefoot, and ready to work. She is on a patio, mainly in shade. And she delivers a range of poses from cute to distinctly carnal.

In “Exposee” every inch of Nika’s beautiful all is exposed in a particularly pleasing manner. With such striking physical characteristics, it’s not easy to pick a favorite image, but I was struck by #0058, in which her sex is in sunshine while the rest of her is in shade. Whether you are drawn to general beauty or anatomical specificity, “Exposee” seems destined to satisfy