Tag Archives: explicit

The time constraints imposed by the MetArt HD erotic movie format present both a challenge and an opportunity. Directors sometimes struggle to fill the short span of time, occasionally recycling footage shot over their shoulders during a still photo session. Others rely excessively on the prop closet in an effort to create visual interest. But the masters of this very specific type of film making know how to transfer the beauty of MetArt erotic still photography into the moving picture format in ways that are both surprising and satisfying.

In “Athena” the artist Koenart employs a stylish, painterly still photographer’s eye, and deftly combines it with a cinematographer’s sense of pace, atmosphere, and movement. The result is moody, evocative, engaging, and accomplished. There are moments here, still images — headshots, figure studies, explicit close-ups — that would shine in a MetArt gallery. And yet they are perfectly integrated in a smoothly flowing, seamless, lyrical visual continuum. The soundtrack was also particularly well chosen, contributing much to the flavor and pace of the production.

But Koenart, as gifted as he is, didn’t create “Athena” by himself! The artist is nothing without his muse, and here his subject, his star, is the film’s center, its subject, its reason for being. I was privileged to evaluate Diana G’s MetArt debut (also shot by Koenart) and she impressed me with her confidence, her beauty, and her lithe, limber physicality. Everything that moved me about Diana G back then is present and on display in “Athena.”

“Athena” is not flashy or theatrical. It’s quiet, moody, intriguing, and subtly involving. It is more than a collection of beautiful erotic images and it is far greater than a simple video tape of a lovely nude model. In so many ways “Athena” shows us just how beautiful a MetArt HD erotic movie can be. See it for yourself and please feel free to share your own reactions in the comments, below.

I never get tired of Lily C. From the first time I set eyes on her, in her very first MetArt nude pictorial, to my most recent exposure, when I reviewed one of her MetArt HD erotic movie performances, I’ve been hooked. This is the eighth post I’ve written about her, and that’s only a fraction of the 24 titles in her MetArt portfolio.

And Lily C hasn’t gone unnoticed by the MetArt membership at large. As I write she’s sitting in the forth position at Top Models, and her newest pictorial, “Sentido,” can only help expand her popularity.

Luca Helios takes a simple approach to this series. For the bulk of the collection Lily C poses on a concrete slab overlooking the ocean. I imagine that working with a model as beautiful, charming, and photogenic makes the artist’s job not only easier but also more pleasurable. My primary quibble with the photographer’s work here is his tendency to tilt the camera. With two strong, parallel horizontal lines in nearly every shot (the edge of the slab and the far horizon) the tilting frames create an unnatural and unneeded woozy effect. Another minor problem, which Lily C takes in her unflappable stride, is that the slab is splattered with seagull guano. But, throughout, despite these gripes, Lily C delivers another stunning performance.

What a body this young woman is blessed with! And it’s not simply the perfect lines and flawless proportions — Lily C radiates a vigorous, physical vitality that Helios captures beautifully in this series. Two shots among many — #013 and #025 — both standing, capture that stunning physique to stirring effect.

Explicit images are also offered in reasonable numbers. With the model on all fours, backside to the camera, we’re treated to detail shots (#073), sculptural figure studies (#072), along with engaging, spirited, seductive invitations (#071). In “Sentido” Lily C is an erotic eyeful as well as being her usual, loveable, justifiably popular self. In #099, totally nude but concealing the naughty bits with crossed arms and legs, the wind plays in her long hair and Lily C shoots a beguiling smile directly at the camera. The beauty and personality captured in this single image perfectly explains why I never get tired of Lily C.

I wrote a post about this model’s first MetArt pictorial, and I liked it very, very much. Now she returns for her second gallery, with a whole new look. And her appearance isn’t the only thing new in “Spirales,” as it is the first contribution by the photographer Vladimiroff.

I will take a guess and assume that the set’s title refers to the printed pattern of the wallpaper in the room in which the set was shot. It’s got vertically arranged curling lines in black and silver against a white field — a bold and modern design. It is somewhat busy, however, and when one considers the paisley pattern of Varya A‘s sexy dress, the stylized zebra print of some throw pillows, and another geometric motif on her shoes, it’s a lot of graphic detail for a photographer to deal with. To his credit, Vladimiroff somehow creates a pleasing harmony.

Varya A is in a long bedroom. Deep in the dark end of the room sits a bed. Between bed and window is a long, low, leather sofa, where the model spends all of her time. The lighting here is somewhat tricky. The room is quite bright where the sun shines in. And quite dim in the shadows. This results in shots that are moody and evocative, and a few that, in my opinion, are simply underexposed. These compromised images are easy to ignore, however, because when Vladimiroff captures both lighting extremes — as he does in #042 and #052 — the results are particularly pretty.

Varya A has changed her appearance considerably since her debut. Her long, not-exactly-natural red hair is now shorter, curlier, and colored a more natural dark auburn shade. And she may have put on a couple of pounds, not at all a bad thing as it has simply made her body a pleasing touch more voluptuous. Vladimiroff has included a commendable variety of compositions in “Spirales,” some of my favorites include: #014, a moody fully clothed shot with lots of leg; #034 pretty torso and headshot; and #068 for the way it captures the curves and contours of Varya A’s shapely physique. The first time for this photographer, and the second time for this model, results in a good time for the viewer.

Personality is important. It can make an ordinary girl irresistible, and it can transform a true beauty into a star. But capturing personality with a camera isn’t easy. It takes technical skill on the photographer’s part, certainly, but it also requires sensitivity. A gifted artist has the unique skills required to put a model at ease and then create an environment in which she feels free to express herself fully.

19-year-old Kamilah A has personality, and plenty of it. And in “Presenting,” her first nude photo gallery for MetArt, that lively, energetic, and vixenish personality is on full display. It doesn’t matter if she is totally nude and boldly displaying herself in explicit poses, or if she’s demurely positioned in more modest images, Kamilah A projects an abundant and extremely engaging personality. And when a girl this physically appealing has such an attractive personality it’s impossible not to love her.

Models can be difficult. They can be moody, temperamental, irritable and even combative. But in these beautiful photographs by the artist Arkisi this model is at ease, engaged, animated, and projects pure enjoyment. I could be wrong, but I can’t help but feel that Arkisi and Kamilah A enjoyed every minute of this photo session — and that sense of fun and positive energy is present in nearly every frame of the series.

The set design and minimal costuming are thoughtful and stylish, the lighting unobtrusive, the photographer takes care to include a wide variety of compositions, and the model is free to display different aspects of her personality as well as a range of poses and moods. “Presenting” Kamilah A is both an extremely impressive new model debut, and a polished demonstration of the erotic photographer’s art. A girl this pretty, with a personality this pleasing, is a most welcome addition to MetArt, and I look forward to seeing much more of her in the future.

The setting for the MetArt erotic photo series “Artio” couldn’t be more appropriate for the sultry subject. Photographer Karl Sirmi has positioned his model on a circular bed, its sheets in pleasing disarray. A sexy girl, an unmade bed — it doesn’t take much more than that to inspire one’s erotic imagination.

As it happens, this model is particularly inspiring in her own right. This is only Katie A’s second MetArt nude photo gallery (a third has been added to her portfolio only recently), and she is just 19 years of age. But lack of age or experience is no impediment! Katie A is beautiful, talented, and extremely sexy. And there’s a knowing quality, an air of maturity, to Katie’s allure. This is no inexperienced “legal teen,” Katie A projects a seasoned and worldly sexuality.

Physically and facially, Katie A is an exceptional specimen. She’s also a gifted poser with a limber and flexible body and a creative imagination — she assumes some poses here that verge on contortionism, and the effect is absolutely eye-catching. The cluster of shots spanning #018 through #023 showcase her bendable body quite wonderfully, and #090, #092, and #095, while less dramatic, have a physical grace that’s a delight to behold.

The series is presented in somewhat jumbled form, or rather, it’s presented here out of its logical order. In the first ten images Katie A is totally, gloriously, nude. But in #011 she’s fully dressed in a sheer, frilly black and white nightie over matching panties. If one proceeds through the set in numerical order, as I do, the logical progression of the series — dressed, then topless, then totally nude — is lost. But who cares! In fully clothed shots (like #043 or #034) Katie A delights. In a topless shot (#072 is a beauty) she beguiles. In headshots (#030 or #054) her beauty borders on hypnotic. And totally nude (offering a prone invitation in #004, or spread wide and brazenly presented to the lens (in #112 among others), Katie A is both lovely and lusty. “Artio” gives the viewer a vivid and detailed picture of how enjoyable it would be to help her “unmake” a big, inviting bed!

Even though it happens with dazzling regularity, the first appearance by a new model in her debut MetArt erotic photo gallery is something I never grow tired of. A new set by a favorite established model is always welcome, of course. But there’s a unique thrill that comes with discovering fresh talent – it’s really one of the highlights of MetArt membership.

Arkisi has done quite a fine job showcasing this new model. Here the artist employs a light touch. The costuming is simple and classical, the lighting soft and indirect, and the compositions varied — we’re treated to everything from stylish, painterly figure studies to explicit intimate close-ups that reveal every anatomical detail.

And the subject of these photos, Marga A, is as warm, charming, and at ease as one could possibly imagine. If these are, indeed, her first nude photos, Marga A is to be praised for her engaging and uninhibited performance.

While Marga A certainly has many striking physical attributes, it’s her energy and cheerful confidence that I find most appealing in “Presenting.” And her green eyes — animated by that energy and illuminated by her personality — are exceptional.

Favorites? I’ll start with #006, a figure study, on her tiptoes, against a rustic wall, skirt raised, eyes averted. Arkisi is at his painterly best in #025, a moody shot of a single hand on her beautiful butt. #026, of the model’s back, her face in profile, boasts a similar quiet artistry. Marga A’s eyes and face are the stars of #085. And in #111, spread out on the hardwood floor, artist and model create another stylish figure study helping make “Presenting” Marga A a pleasant premiere performance.

The setting is lush and green, sunlight mixes with cool shadows, and in the background a meandering stream is occasionally visible. Birds are twittering in the high branches and a light breeze is gently ruffling the leaves. Movement, and then sound, catches your attention — you spin to look, and you see her. You freeze in your tracks. You’ve just stumbled into the lair of the forest fox, one of the most alluring creatures nature has to offer.

I hope you’ll forgive me the brief flight of fancy, but the MetArt erotic photo series titled “Glauben” invites and encourages these types of imaginings, and many others, as well. Violla A, totally nude and completely uninhibited, is the fox in question, and her voluptuous beauty and sprightly personality are almost overwhelmingly attractive in this setting. In much of the series she’s positioned on a gnarled, bent tree trunk that’s covered with twisted vines. And she looks completely at home and absolutely comfortable.

The fact that Violla A is so at ease in the rustic location can only have made the photographer’s job easier, and if the model is only half as high-spirited as she appears to be this session must have been a pleasure for Matiss. I do notice a couple of unnecessarily tilted images, and a few shots in which reflected light is perhaps a touch overdone, but the overall look and execution of the pictorial is quite pleasing.

As noted, Violla A is not inhibited, and that’s an understatement. But explicit anatomical detail is just one aspect of this pictorial. There are some simply wonderful headshots — quite a few, in fact, starting at #018 and including #019, #020, and #032, among others. And there are some pleasantly tame figure studies — includng #063, #067, and #081 — that have an almost rustic pin-up quality. Whether she’s thrusting her moist delights at the lens or just reclining thoughtfully on her forest perch, Violla A is utterly charming and powerfully alluring in “Glauben.”

It’s a complex undertaking, this nude erotic photo modeling. A beautiful face certainly helps, but the range of what is considered beautiful is so broad that beauty, in and of itself isn’t enough. A shapely body is another crucial ingredient, but petite, skinny girls and voluptuous women can both find success in the same arena. A lack of inhibition is absolutely a requirement, and it helps if the photographer is sympathetic and skilled enough to support and encourage the model during the shoot. But perhaps the most important factor — and this is easy to forget when one is dazzled by a parade of mouthwatering bodies and beautiful faces — may well come down to personality. The best models, the sexiest girls, the most sought after women in erotic photography radiate and project engaging personalities.

Alyssa A does, without a doubt exhibit personality in “Noiva.” And she also displays considerable beauty of the facial and physical varieties. From the delicate intimate details — these alone have earned her numerous fans, I don’t doubt — to her trim and shapely figure, Alyssa A is nothing if not beautiful. And her face, framed by long wavy hair and boasting blue eyes of the big and beguiling variety, is as pretty as a picture. And she’s certainly uninhibited — the numerous explicit poses and close-ups provide ample proof of that. So, a truly beautiful woman, unashamed and uninhibited, but perhaps the slightest bit restrained in the personality department. Oh, she is sexy and appealing, and a feast for the eyes, but I do wish she would laugh, smile, let go a little bit, and share more of her personality!

Even so, despite the somewhat limited range of Alyssa A’s expressiveness, there is quite a lot to enjoy in Slastyonoff‘s pictorial. The art direction, lighting, and styling — including the model’s white ensemble of stockings, panties and frilly top — is harmonious and flattering. Even fully dressed, as she is in #023, Alyssa A presents an alluring proposition. With her breasts exposed, eyes closed, and reclining on the sheets in #045 she’s an evocative picture of dreamlike perfection. As for explicit images, #050 gets right to the point(s) and in the cluster of shots spanning #115 through #120, Alyssa offers herself vigorously to the camera with high erotic impact.

Four of the most personality-rich shots, and thus standouts in “Noiva,” are variations on the same pose. In #027, #099, #100 and #101, she faces the camera, head down, ass up. Here Alyssa presents some real depth. Even with her eyes closed, in #100, or in #099 (her most relaxed and natural pose in the collection?) her exquisite beauty and enticing sensuality are in full effect.

Seven minutes and fifty-one seconds is not a lot of time. That’s just one of the fundamental challenges posed by the MetArt HD erotic movie format. To be frank, I’ve seen several of these short subjects that seemed far longer due to their lack of compelling action or failure to make any sort of engaging erotic or creative statement.

With “Empiria,” photographer/artist/director Ivan Harrin demonstrates mastery of the format. Yes, it’s just under eight minutes in length, but every second is entertaining and enjoyable. Harrin’s concept, style, and execution are brilliantly suited to the format, and aspiring MetArt filmmakers would be well advised to study this offering.

And the talent in front of the lens is every bit as impressive. As “Empiria” begins we see Milana G, in profile, standing behind a curtain of crystal beads — it’s a beautiful image of a beautiful girl. Within seconds — she smiles at the 10-second mark — she has my undivided and enthusiastic attention. And it just gets better from there on out.

Milana G has a slender, shapely body and the soft lighting brings out its contours wonderfully. She also has a nuanced personality, laughing, then thoughtful, then sexy. There are moments, many of them, when I’m struck by her beauty in individual frames — Harrin really knows how to apply the still photographer’s sensibility to motion pictures.

Totally nude throughout, when Milana G steps away from the beaded curtain she moves to a picture window facing a busy street. Pedestrians are clearly visible in many shots adding a bit of exhibitionist/voyeur sizzle to the proceedings — one fellow nearly sprains his neck turning to gawk at the gorgeous nude girl looking out at him. Priceless.

Some bold, explicit views spice up what is already a spicy concoction, and as an unexpected bonus we’re treated to a brief bit of “blooper” footage (in stylish black and white, no less) as “Empiria” nears its conclusion; as well as a short, fully clothed moment as Milana browses the offerings at a street-side stall. A gorgeous girl in a stylish, eye-pleasing and completely enjoyable film. Highly recommended.

Calling a model in her early twenties a “veteran” seems a bit odd, but “Provalo” is Mila I‘s forty-ninth appearance at MetArt so the description is fitting. And it’s quite easy to understand this beautiful blonde’s enduring appeal. She’s physically enticing, of course, but Mila I also has a spirited, lively personality that is easily captured in still photos or on video.

In looking at Mila I’s impressive catalog I notice something interesting. Although she’s worked with a diverse assortment of MetArt contributing photographers, eight of her ten most highly rated pictorials were created by one artist, Tony Murano. With “Provalo” I have a chance to see for myself why this particular team has proven to be so popular and successful.

Although the very first image is tilted for no obvious reason (a pet peeve of mine), the lighting and set design is pleasing, and Mila’s styling is a bit more polished than usual, which is also pleasing — Mila is nothing if not versatile, and here’s yet more proof. Then model and artist begin to experiment. In #005 we Mila is in a thoughtful mood, but by #009, still fully dressed, she expresses sexual ecstasy.

Explicit and unashamedly sexual imagery is a Tony Murano trademark, and as “Provalo” progresses it offers ever-increasing eroticism. While Mila I is undeniably cute with a bright and charming spirit, she’s also powerfully sexy, and this series captures that aspect of her personality quite impressively.

Yes, there are “tame” yet stylish photos here – #047, a study of Mila’s breasts with several flowers slightly out of focus in the background is one example. And the architecture of her body is rendered to striking effect in #072. Here Mila’s shoulders are on the floor and her body arches upward, supported by her legs up on the bed.

But the main course here is flowers — of two distinct varieties. Toward the end of “Provalo” Mila’s is in glistening full bloom as it is showered with yellow petals. And in the final shot, an extreme close-up, a single golden petal is held near a pink blossom of incomparable beauty. That’s what I call flower power!