I really, really like Dominika A. Every single time I have had the pleasure of critiquing one of her Metart erotic photo galleries, or a Metart HD erotic movie, I’ve come away impressed. She’s got the beauty, she’s got the body, she’s completely uninhibited, and she possesses a lively, seductive, engaging energy that really comes across in photographs. She’s versatile, as well. I’ve seen her in simple, natural outdoor settings as well as in highly stylized studio shoots and she’s equally at home in any and every environment.
Everything I love about Dominika A is present, to one degree or another in “Rheede,” but for some reason the set doesn’t impress me quite as much as those I’ve previously viewed. It took a while to decide what it was, but I think it has to do with the model’s mood. There’s a downcast quality, a certain moodiness on display in much of the set. Dominika A is still beautiful, and still magnetically attractive. But in many images I get the feeling she’s not entirely present. Oh, but when a smile lights up her face, everything changes! That’s the Dominika A I love! That’s the Metart model who has earned so many devoted admirers! The difference is really night and day. When Dominika A smiles in “Rheede” — as she does in #003, #038, #080, and #118, to cite four notable examples — the model and the photo series come alive.
We all have “off” days. And Dominika A on an off day is better than a less gifted model can deliver on the best day of her career, so there’s plenty in “Rheede” to appreciate and enjoy. In my notes I’ve called out several “nothing showing” shots that are particularly pleasing. These include #012, #025, a fine Luca Helios composition, and #074. The explicit shots, and they are plentiful, give the viewer unimpeded access to Dominika’s luscious charms. For #047 I’ve scrawled the notation: “nips and lips.” And, no, I’m not talking about the ones she smiles with.
“Rheede” boasts a beautiful setting, a gorgeous and talented nude model, and a variety of pleasing images. Even when Dominika A isn’t really in the mood she’s still very, very good.