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“Rheede” starring Dominika A — hot, nude, but not really in the mood…

Dominika A: Rheede, by Luca Helios, explicit outdoor nude art photosI really, really like Dominika A. Every single time I have had the pleasure of critiquing one of her Metart erotic photo galleries, or a Metart HD erotic movie, I’ve come away impressed. She’s got the beauty, she’s got the body, she’s completely uninhibited, and she possesses a lively, seductive, engaging energy that really comes across in photographs. She’s versatile, as well. I’ve seen her in simple, natural outdoor settings as well as in highly stylized studio shoots and she’s equally at home in any and every environment.

Everything I love about Dominika A is present, to one degree or another in “Rheede,” but for some reason the set doesn’t impress me quite as much as those I’ve previously viewed. It took a while to decide what it was, but I think it has to do with the model’s mood. There’s a downcast quality, a certain moodiness on display in much of the set. Dominika A is still beautiful, and still magnetically attractive. But in many images I get the feeling she’s not entirely present. Oh, but when a smile lights up her face, everything changes! That’s the Dominika A I love! That’s the Metart model who has earned so many devoted admirers! The difference is really night and day. When Dominika A smiles in “Rheede” — as she does in #003, #038, #080, and #118, to cite four notable examples — the model and the photo series come alive.

We all have “off” days. And Dominika A on an off day is better than a less gifted model can deliver on the best day of her career, so there’s plenty in “Rheede” to appreciate and enjoy. In my notes I’ve called out several “nothing showing” shots that are particularly pleasing. These include #012, #025, a fine Luca Helios composition, and #074. The explicit shots, and they are plentiful, give the viewer unimpeded access to Dominika’s luscious charms. For #047 I’ve scrawled the notation: “nips and lips.” And, no, I’m not talking about the ones she smiles with.

Rheede” boasts a beautiful setting, a gorgeous and talented nude model, and a variety of pleasing images. Even when Dominika A isn’t really in the mood she’s still very, very good.

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“Stalida” starring Lorena B — rare and remarkable…

Lorena B: Stalida, by Luca Helios, erotic pix of a beauty at the beachWith 59 galleries in her Metart portfolio — and with a growing collection of film and still shoots at Sexart — erotic art featuring Lorena B is far from rare. If you favor this model you can feast your eyes on an abundant, varied, and ever-expanding supply of her work. What is rare about Lorena B is her physical beauty and her vivacious, charming, seductive, flirtatious, engaging, lively, and utterly irresistible personality. Lorena’s beauty, alone, makes her truly exceptional, but when that beauty is paired such an arresting and magnetic personality it’s a remarkable combination. “Stalida” does a wonderful job of capturing Lorena’s beauty as well as her charismatic personality.

Along with her looks and charm, Lorena B is also a talented professional. This woman makes modeling look easy, effortless, and as if she’s enjoying every single second of her time in front of the camera. She can strike stylish, formal poses and moments later she can be entirely candid and spontaneous. She is completely comfortable in her skin and in full, proud possession of her sexuality. Even in the most explicit poses she’s completely at ease — she enjoys showing herself every bit as much as the viewer enjoys looking.

Luca Helios, the artist who shot the vast majority of Lorena’s Metart galleries, is behind the camera once more with “Stalida.” The set opens with Lorena in a bright white bikini. She’s positioned on top of a flat rock outcropping at seashore. These clothed images are as sexy as the subsequent nudes, and Lorena treats us to a megawatt smile (#001), some creative posing (#005), and a wonderful slice of pin-up style (#014). After her top comes off, with the sea breeze mussing her long hair, Lorena is a vision of natural beauty (#022).

Of course the bikini bottoms are soon cast aside, and numerous explicit shots are peppered throughout the series (see #052 for one moist and inviting sample). She moves from the rock “posing platform,” to the sandy beach below, and eventually into the surging surf for some spontaneous, splashy fun (#030). From shot to shot, and from beginning to end, Lorena is utterly beautiful and completely charming in “Stalida.” A day at the beach is only rarely this enjoyable!

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“Omenala” starring Erica B — same place, different face, fresh heat…

Erica B: Omenala, by Matiss, explicit nudes in an unusual locationNot long after I began evaluating the Metart erotic photo series titled “Omenala,” I began to feel a bit of déjà vu. The more I looked, the stronger the feeling became, but with a bit of searching I realized the feeling wasn’t imaginary — I had been there before! This set by Matiss was shot on a sunny day in the mountains, mainly against what might be a retaining wall for an unseen road. The artist employed the same location for a set I critiqued over a year ago, and it’s just unusual enough to have made an impression.

It is a somewhat unlikely location, and adding a beautiful, glamorous model like Erica B accentuates this fact. Erica B is topless and wearing a pair of tight jeans and high heeled sandals when the set opens. It’s a large set — 155 total images — and the model has ample opportunity to experiment with poses and attitudes. As the series progresses the jeans come off, a bit of fabric appears to make the gravelly ground more comfortable, and Erica B moves away from the rustic retaining wall. And this is where the set begins to sizzle.

Erica B has a natural and genuine exuberance — she’s full of energy and appears to be having a lot of fun posing. But when she’s seated on the ground, reclining, or up on all fours, she trades her happy-go-lucky attitude for something far more steamy and seductive. And as Erica B’s mood changes, so do the compositions Matiss chooses. In the final third of the set the explicit images are abundant, detailed, and enticing. In #096 and #098, to pick a pair of mouthwatering examples, the succulent beauty of Erica’s intimate anatomy is stunningly captured at close range.

But the charms of “Omenala” and Erica B are many, and the model’s other assets — a shapely rump, long, wavy hair, luscious lips, and light blue eyes — are artfully captured in less than explicit shots like #063 (a beautiful headshot) and #109 (with the model on all fours).

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“Ambay” with Lucia D — on the sand, (mainly) in the shade…

Lucia D: Ambay, by Leonardo, explicit outdoor erotic art nude photos

Lucia D made her Metart debut in an HD erotic movie directed by Platon Averin. For her second outing she posed for a still gallery shot by Goncharov. And now, in “Ambay” she works with another still photographer, Leonardo.

The artist has chosen a scenic outdoor location. Lucia stands and lounges on the damp sand on the edge of what appears to be a lake. The sky is a soft blue, the vegetation which rims the body of water is lush and verdant, and the water glitters in the sunlight. Lucia, however, is mainly in shadow, and Leonardo, master manipulator of artificial lighting, provides supplemental illumination. The setting and the sunshine conspire to suggest a balmy day, but wind in the model’s hair and subtle cues in her complexion – not to mention a pair of persistently erect nipples – suggest that it was cold the day “Ambay” was shot. Lucia D, however, doesn’t seem to mind, and delivers a game and professional performance.

I hope it wasn’t actually too cold, though — all Lucia D has in the way of clothing is a sheer scarf wrapped around her slim waist and a pair of colorful earrings. Lucia D is eager and present, but she’s not the most expressive of models. She’s got beautiful eyes and a magnificent mouthful of gleaming white teeth, but she tends to pick an expression and stick with it. When she relaxes (see #006, for example), or when she unleashes a smile (see #002 or #040) the true Lucia D really comes across — if she could better connect with these natural, genuine, spontaneous emotions the results would be magical.

Trim, slender, elegantly proportioned, and sculpted to perfection, Lucia D’s body is a delight. And Leonardo takes care to capture the beauty of her figure as well as exploring the details. Those who crave a close-up view of the explicit goods will definitely enjoy the intimate shots in this collection (have a look at #055 or #056 for samples).

My favorite shot in “Ambay” combines the beauty of the subject with the skills of the artist. In #029 Lucia poses formally. Her hands — one holding her wrap — are placed just so, her torso is presented in three-quarter profile, and she looks right at the camera with those big, beautiful eyes. Behind her the scenery is brightly lighted and somewhat diffused. Lucia, however, is in crisp focus, her body bathed in reflected and strobe light. Her figure stands out sharply against the background, with an almost cut-out feeling. The photo almost looks like a composite, a combination of two separate images. An interesting effect, to be sure — and just one highlight among many in this Metart erotic photo series.

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“Sentido” starring Lily C — an erotic eyeful by the ocean…

Lily C: Sentido, by Luca Helios, stunning nude model in erotic pixI never get tired of Lily C. From the first time I set eyes on her, in her very first MetArt nude pictorial, to my most recent exposure, when I reviewed one of her MetArt HD erotic movie performances, I’ve been hooked. This is the eighth post I’ve written about her, and that’s only a fraction of the 24 titles in her MetArt portfolio.

And Lily C hasn’t gone unnoticed by the MetArt membership at large. As I write she’s sitting in the forth position at Top Models, and her newest pictorial, “Sentido,” can only help expand her popularity.

Luca Helios takes a simple approach to this series. For the bulk of the collection Lily C poses on a concrete slab overlooking the ocean. I imagine that working with a model as beautiful, charming, and photogenic makes the artist’s job not only easier but also more pleasurable. My primary quibble with the photographer’s work here is his tendency to tilt the camera. With two strong, parallel horizontal lines in nearly every shot (the edge of the slab and the far horizon) the tilting frames create an unnatural and unneeded woozy effect. Another minor problem, which Lily C takes in her unflappable stride, is that the slab is splattered with seagull guano. But, throughout, despite these gripes, Lily C delivers another stunning performance.

What a body this young woman is blessed with! And it’s not simply the perfect lines and flawless proportions — Lily C radiates a vigorous, physical vitality that Helios captures beautifully in this series. Two shots among many — #013 and #025 — both standing, capture that stunning physique to stirring effect.

Explicit images are also offered in reasonable numbers. With the model on all fours, backside to the camera, we’re treated to detail shots (#073), sculptural figure studies (#072), along with engaging, spirited, seductive invitations (#071). In “Sentido” Lily C is an erotic eyeful as well as being her usual, loveable, justifiably popular self. In #099, totally nude but concealing the naughty bits with crossed arms and legs, the wind plays in her long hair and Lily C shoots a beguiling smile directly at the camera. The beauty and personality captured in this single image perfectly explains why I never get tired of Lily C.

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“Presenting” Valeri B — country road curves and cuteness…

Valeri B: Presenting, by Matiss, MetArt model's nude debut pixA seldom traveled road in the remote and picturesque countryside provides the setting for this first-time MetArt model’s debut. Wearing nothing more than a necklace, sheer black panties, and a pair of flashy stiletto heeled platforms, Valeri B’s premiere opens with a series of bold and impressive images. If there was any traffic on this desolate road it would certainly come to a screeching halt at the sight of this curvaceous blonde.

Matiss positions Valerie B in soft shadow for the bulk of the images here, but the natural light allows for full revelation of her physical details while the background — verdant hills and craggy white peaks backed by vivid blue sky — is bathed in bright sunlight. The model’s shoes, in particular, add a bit of stripperish glamour that may be slightly out of place in the rustic location, but the result is ultimately satisfying.

Valeri B has an attractive energy and her performance here is confident and relaxed. She does seem to be enjoying the experience, and if these are her first nudes one can’t help but be impressed by her natural ease in front of the camera. She’s impressive physically, as well, with a body that mixes plush curves with an underlying strength and athleticism.

Presenting” Valeri B offers a wide variety of poses and compositions. Intimate close-ups are balanced by an assortment of headshots, and at the end of the set Valeri B appears in a little black mini-dress — even fully clothed this new MetArt model is unquestionably sexy.

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“Oraison” starring Zlatka A — genuine generosity…

Zlatka A: Oraison, by Cloud, explicit outdoor nude art photosIn my last post I discussed a pretty girl who was a touch reluctant about revealing her intimate anatomy. The pretty girl I discuss in this post has no such problem. Indeed, she’s quite the opposite. I consider this an extremely refreshing, not to mention invigorating, change of pace.

My single prior experience with Zlatka A was a good one. And I quickly realize this time may be even better. In the previous set the sky was overcast and the sunlight flat and wan. In “Oraison” the light is bright and the colors vivid. It’s a beautiful day in an interesting location — the sloping concrete bank of a canal.

Photographer Cloud has provided Zlatka A with just one piece of “clothing,” a long piece of red fabric. The fabric ads a burst of vibrant color, and it’s also versatile, serving as a shawl, robe, hood, a flag riding the breeze when held aloft, and a comfortable blanket when spread on the ground.

#004 provides an overview of the location and of Zlatka A’s beauty as she stands on one foot holding opposite ends of the fabric in each hand. After Cloud zooms in and Zlatka A switches to a rear three-quarters view, the result is a fine showcase of her face and backside. Tightly framed in #029, with the sky filling the background, artist and model create another striking image. I will let explicit images like #047, #073, #089, #090, #094, explain themselves, but I will say there’s quite a lot of stylistic variety in these steamy shots. And #107, a headshot, artfully combines style with spontaneity. The shots I’ve mentioned, and numerous others, provide many reasons to enjoy Zlatka A in “Oraison.”

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“Pelagos” starring Sabrina D — she floats my boat…

Sabrina D: Pelagos, by Leonardo, blonde super-beauty onboard a boatThere, I said it. And I’ve said it before, on the two — count ‘em: one and two — previous occasions I’ve been lucky enough to critique Sabrina D galleries, although I did phrase my declarations somewhat differently. This is an exceptionally beautiful young woman in my view, and her beauty is illuminated and enhanced by an intriguing and engaging personality. The physical details are flawless, and the attitude in those impossibly big and spectacularly blue eyes is impossible for me to resist.

Now let’s take this irresistible beauty and place her on a luxurious motor yacht, on the deep blue see, on a picture-perfect day. Further, let’s have a taker of countless perfect pictures craft a voluminous and immensely enjoyable MetArt erotic photo gallery. And that’s what we have in Leonardo’s “Pelagos.” There’s real synergy between model and artist here, and it is very difficult to cull even a couple of substandard images out of the 169 included in the set. Quality, quantity, and Sabrina D — an ideal combination.

There are times, while evaluating a pictorial, when I have to search for the truly outstanding images. Here I have the opposite problem — Sabrina D is so beautiful and charming, and Leonardo‘s artistry (particularly his lighting) is so pleasing, that it’s not easy to narrow down my list of selections. So, if the following list of the finer photos in “Pelagos” seems lengthy, at least you know why. #001, setting the scene, in bikini bottoms and striped top, mainly in shadow, but with a splash of light on her hair and upper chest and her feet slightly diffused in full daylight. #006, hood up, bottoms off, hand on hip, projecting adorable attitude directly into the lens. #025, body fully revealed — angelic, yes, but with a devilish undertone. #098. Wow. That face! Those eyes! Yes, #098 is a jewel.

To repeat, in “Palagos,” Sabrina D definitely floats my boat. It’s also amusing to note the various vessels in the background of several images, perhaps cruising closer for a better look — and who can blame them! How about #103, a glass of Champagne in her hand? If that’s not an advertisement for the good life, I don’t know what is! Yes, we find explicit shots, but we also have #148 in which she sticks out her tongue playfully. I could easily go on, but I think I’m going to have another look through “Pelagos” instead. I suggest you do the same!

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“Versu” starring Vanessa H — pretty in a park, lovely at the lake…

Vanessa H: Versu, by Platon Averin, MetArt HD erotic movieAt the visual banquet that is MetArt, nude photo galleries are the main course, and HD erotic videos are side dishes. A quick look at the “menu” proves my point — as I write these words there are 12,402 photo sets offered, compared to “only” 1,038 movies. Pictorials will always be the signature offering at MetArt, but I expect to see more and more emphasis placed on movies in the months and years to come. And after watching “Versu” I can only say this is a very good thing!

There’s been some discussion in the comments lately about the value of seeing a model in street clothes, prior to, or after seeing her nude. Director Platon Averin has seen fit to introduce us to his subject when she’s wearing denim short-shorts, a black tank top, and flat sandals — perfect. And this girl, Vanessa H, needs no more than that to show us exactly how cute and appealing she is. Fully dressed and in a public park, she has my undivided attention from the start. The idea — to call it a “story” would be to exaggerate — is that Vanessa is an artist out for a day of sketching. In the park she delights when a squirrel spontaneously runs across the lawn, and Averin’s camera tours her clothed body while she draws in her sketchbook.

Next we’re transported to a forest at the edge of a vast, placid lake. Vanessa H still has her pencils and paper, but now she’s dressed only in a white blouse. The body barely concealed by that solitary garment is trim and shapely, a nubile treat. And Vanessa H has a lovely, warm, engaging personality — she directs a lot of playful eye-contact at the camera, to the viewer’s benefit.

Vanessa strolls down to the water’s edge, eventually removes her blouse, plays and poses in the shallow water, then gets “dressed” and returns from whence she came. I only hope she comes back soon. I also look forward to more from director Averin — his mastery of the moving picture medium makes a “side dish” like “Versu” extremely appetizing!

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“Lautus” starring Ariel A — attack of the killer color(s)…

Ariel A: Lautus, by Luca Helios, colorful MetArt erotic nude pixWhen I saw that this MetArt erotic photo series was on my schedule I made a vow not to mention the model’s hair color. I’ve addressed it in my critiques of several of her earlier sets, and I pledged to myself to find something else in this particular gallery to focus on. After viewing no more than two or three images in “Lautus,” however, I was forced to break my vow and rescind my pledge.

You may love Ariel A‘s head of flaming orange hair, or you may hate it. But one thing you can not do, however, is ignore it. When the sun hits those flowing locks it lights up like a torch — frankly, I find it distracting. And if something can distract my attention away from Ariel A’s splendid body and gorgeous face, that’s one powerfully distracting something!

But here that distracting hair has some colorful co-conspirators, and I’m afraid they’re bent on compromising this pictorial. Those colors are purple and red. Purple is the vivid color of the filmy, asymmetrical mini-dress that Ariel A is wearing as the set begins. And red is the color of the chaise lounge she does a fair bit of posing on. The interplay of the hair color, the clothing, and the furniture creates some truly disturbing effects. In #010 and #024 the combination of red hair and purple fabric gives Ariel a 5 o’clock shadow. And in #039 the dress and chair hopelessly skew the color spectrum.

Ariel A is a beautiful woman. And Luca Helios is a talented photographer, but some of the choices made here do the finished product no favors. But looking for the best shots in “Lautus” does yield some notable examples. Without the frock the colors calm down somewhat in the totally nude #050 — the red upholstery may even enhance the image somewhat. I love (yes love) Ariel’s hair in #075. #095 is a thoughtful and interesting headshot. And the bright highlight on that hair adds some spark to the full-body composition of #119. If Ariel A is married to the hair color, so be it. But, please, consider the effect of costuming and props in the future, because, as we see here, the wrong colors can be killers.

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