Tag Archives: tease

Can a single three-letter word qualify as a concise movie review? In the case of the MetArt HD erotic movie titled “Lektion,” the answer is an emphatic yes! Mere seconds into the film I said, out loud, “Wow!” And as I continued to watch that word was repeated, over and over again.

The primary inspiration of these enthusiastic, almost involuntary exclamations of awe and delight is the film’s star, Mia D. I had the profound pleasure of critiquing her MetArt debut, and I was mightily impressed. A subsequent photo series, as well as a movie made it plain — Mia D is a true beauty and a genuine talent. And her beauty and talent are both front and center in this wonderfully wow-inducing short film.

I’ll praise Mia D’s performance in greater detail shortly, but I’d be remiss if I didn’t first take a moment to give credit where credit is most certainly due. Leonardo has done an absolutely brilliant job here. His direction, cinematography, and editing have produced an impressive and completely enjoyable experience. Blink at your own risk — you really don’t want to miss a single beautiful second of “Lektion.” Wow. It really is that good.

I’ve decided that the “D” in Mia D stands for Delicious. Well, it might also stand for Delight. Or Doll. She is all those things, in abundance. And Leonardo’s lens captures that delicious delightfulness with stylish, effortless ease. The look on her beautiful face at the :20 mark, as an off-camera fan fills her short floral skirt with air is priceless. With a sly smile, the bat of an eyelash, a sidelong glance, this model can work absolute magic.

The pacing and the camerawork have a leisurely feel — some shots appear to be in slow motion even if they aren’t actually slowed down. And that’s a definite asset because every second, each individual frame, seems to offer a unique bit of beauty. Raising her skirt (at :40), exposing her pert breasts (at 2:00), kicking her dress aside (at 2:20), and kneading her stiff-nippled tits with both hands (at 4:30) are highlights in a film absolutely brimming with similarly delightful moments and images.

Thank you, Leonardo, for capturing and presenting this gorgeous girl so beautifully. And thank you, Mia D, for sharing all you have to offer with us. I could easily say more, but I’ll sum it up with one word: Wow!

It was love at first sight. Actually, it was also love at first set. I was lucky enough to review Lily C’s debut MetArt erotic gallery, and I’ve been assigned several of her subsequent series, as well as two of her MetArt HD erotic movies, and I’ve loved them all. This is one model who never disappoints. I love, love, love, love, love this model! And, clearly, I’m not the only one who loves her — at this moment Lily C is sitting at #10 on MetArt‘s Top Model rankings. This girl is beautiful, talented, and justifiably popular.

Here this adorable and alluring nymph is teamed with Luca Helios. Wearing a pareu over her bikini, and carrying a bag of beach supplies, Lily C. walks along the broad, flat rocks at the seaside. She spreads out a blanket, quickly disrobes, applies glistening oil to her bronzed body, and generally enjoys a bright and sunshiny day at the seaside.

Really, that’s pretty much it in the way of story or narrative, but Lily C is so pleasing to the eye and has such a lively and engaging personality that every second of the viewing experience is pleasurable. Helios has no need for dramatics or flashy technique, he records the unfolding action from a variety of distances and makes sure to include enough explicit revelations to satisfy that particular craving.

Lily C’s long hair, which she usually wears in a wavy style, is worn straight in “Deniz” and it’s particularly flattering. Her body is as toned and shapely as ever, and perhaps a bit leaner, and when she applies oil to that glorious shape the effect is mesmerizing. Whether she’s squeezing her pert breasts, kicking her feet in the water, tiptoeing gracefully at the water’s edge, rinsing her torso with water, or splashing playfully at the camera, Lily C is a delight. In a final teasing and sexy touch, when the film approaches its conclusion Lily C puts her blanket and clothing back in the bag and walks away completely and totally nude. Any bystanders in the parking lot have a real treat in store. But MetArt members can enjoy that treat immediately by screening “Deniz” as soon as possible!

“Krilus” is currently the Top Rated MetArt HD erotic movie. Not only is it #1, it’s also one of only two movies in the MetArt collection to have received a perfect 10 in member ratings. What makes these two statistics even more impressive is that the video was released early in 2006 — to remain in this lofty position for so long is quite an accomplishment.

Much has certainly changed since this production was created, in terms of technology as well as style and fashion. But “Krilus” doesn’t feel the slightest bit dated, even if it doesn’t boast the current wide screen format or benefit from cutting edge technical effects. And while styles may have changed since Voronin created this offering, standards of beauty have not — and both his stars are exceptionally beautiful and appealing.

“Krilus” swings between playful and passionate. Ira A and Sharon E are joking and laughing one moment, and generating real sexual heat the next. Yes, despite the absence of any overtly sexual contact, this film is a hot one. There is no extended kissing, but the teasing, flirtatious way the girls use their mouths, lips, and tongues is highly erotic. There is plentiful caressing and groping — both those shapely bodies are well worth the effort. And while we never see an erect nipple being hungrily suckled, the act is implied and the effect is absolutely arousing.

There’s no story in “Krilus.” Sharon E is nude from the start, and when Ira A enters the frame a moment later she’s wearing lace-up boots and a matching bra and panties set. They take their positions on a long bench strewn with pillows and begin to play. The temperature rises quickly even with the initial absence of explicit shots — the eroticism here is often the result of what we don’t see, what’s implied. We are eventually treated to some reasonably explicit views, and even in more modest poses both girls show off their bodies to excellent and enticing effect.

While “Krilus” is enjoyable in and of itself, it also serves as a reminder of how much superior erotica is contained in the vast MetArt archives.

My only previous experience with Katya AC was in a MetArt erotic photo gallery. If you choose to revisit my critique, you’ll see that I liked the model, liked the photographer’s general style and approach, but found some fault with the setting and the waning natural light he had to work with. If only the setting had been somewhat more appealing or that the light had been warmer and brighter.

There are no such flaws or weaknesses in this MetArt HD erotic movie, and I say that both with relief and delight. “Skafos” is a completely engaging experience from beginning to end, and the star and her director are in truly fine form.

As “Skafos” opens Katya AC is running along a public path. In her sporty grey tank top and white miniskirt the long-legged model is a picture of beauty and energetic vitality. But it’s when she ends her jog and cools down with a bit of stretching against a wrought iron railing that the film begins to heat up. After checking each way for on-lookers, Katya bends over at the waist, teasingly revealing her sheer panties, which she takes a moment to adjust with a single finger — a simple gesture, but highly erotic.

Next she retreats to a partially enclosed patio in front of what may be a café, to adjust those panties a bit more and treat us to a few up-skirt views as well as topless and, after the panties are removed, bottomless shots, as well. Katya AC has a playful, “what can I get away with in this public place?” attitude here that is captivating.

Next Katya appears on a long flight of stairs. After a jogger passes by she squats down and treats us to explicit spread-legged views that are enhanced by the public nature of the setting. The remainder of the film takes place on a patch of sand surrounded by lush foliage on the edge of a body of water. Totally nude, the model shows off every inch of her splendid body while also charming the viewer with her lively and seductive personality. This is short form erotic film making at its finest, and Katya AC and Alex Iskan earn my unqualified and enthusiastic praise and gratitude for creating “Skafos.” Take a look, and let me know what you think, in the comments, below.

I feel as if I’ve been commenting on a lot of new models lately, and that happens to be the case today, as well. And the subject of today’s post isn’t only a new model, it was directed by a new contributing artist, Michael Kotoff, so I have the pleasure of evaluating a double-debut. That fact, alone, is notable, but this debut is also unusual in that it is a MetArt HD erotic movie, rather than the far more prevalent still photo sets. This calls to mind the relatively recent arrival of director Platon Averin who, seemingly, only shoots motion pictures. I don’t know if Michael Kotoff will follow that pattern or if he will also be contributing still sets in the future, but I think most MetArt members would agree that the more talented filmmakers we have on the roster, the better.

Of course the same can be said of beautiful new models, and Lia K certainly fills that bill. The only remotely critical comment I can make about her is that her performance reveals a slight lack of experience in front of the camera. But experience can be gained, skills can be developed, and Lia K’s debut is totally engaging and thoroughly charming.

The action takes place on a leather sofa and in front of a picture window. Lia starts out in a short dress over a lacy white bra and panties set and sky-high platform heels. Those sexy shoes never come off, and the rest of her ensemble is removed, piece by piece, and very slowly. Tease plays a major role in “Presenting,” and Michael Kotoff‘s dynamic, agile camera and creative direction and editing heighten anticipation as Lia K tempts the lens. It takes nearly three minutes before the model is topless, but those three minutes — over a third of the film’s running time — are completely enjoyable.

Some viewers will, no doubt, be disappointed in the absence of explicit close-ups, but I’m willing to forgive this omission. Not only is this a young model’s MetArt debut, it’s also the director’s first contribution, and he may be been erring on the side of caution and discretion for his premiere performance. I’m doubly impressed — by both artist and model — and look forward to seeing more from the creator and star of “Presenting” Lia K.

When it comes to women in general, and MetArt models in particular, I like to think I have catholic tastes. I have my opinions and my personal preferences, but I don’t really “run to a type” or have too many rules or regulations in terms of what I like. But I realize that others do. For some a tattoo is a deal-breaker, for others it might be big breasts, for somebody else flat-chested girls might be a turn-off. Hair, specifically the pubic and axillary varieties, is another polarizing topic. Some are aroused by a hirsute female, others repulsed. The clean-shaven style has never been more popular than it is now, and this makes the unshaven model stand out like, well, a lush, luxurious bush in the middle of a barren desert. Which, by no coincidence, brings us to “Logio.”

The star of this MetArt erotic pictorial, Karen A, is proudly and profoundly furry. Both armpits host fuzzy patches and south of the border, front and back, she sports a thick, dark pelt. Some will love the look, others will not. I’ve been spoiled by the seemingly endless parade of barbered beauties at MetArt and elsewhere, and I wouldn’t mind seeing Karen A with no hair there sometime, but I must say that this girl has a charm and allure that is more than worthy of your attentions — don’t let that bush blind you to her considerable talent.

This is the first Karl Sirmi series I’ve viewed — it’s only his third MetArt contribution — but I’m favorably impressed with his style and technique. Although the model is a girl-next-door type she’s a hot one, and Sirmi has put her in a bedroom setting that allows her to tease and tempt us quite effectively. There’s a dreamy, sexy, steamy undercurrent in much of the set, and whether Karen’s eyes are closed (#018), seductively heavy-lidded (#024), or wide open (#030) she radiates intriguing energy. Two favorites, which couldn’t be less alike, include #020, Sirmi’s wonderful figure study, and #110, where Karen A raises her ass high off the mattress and smiles spontaneously and invitingly.

My thoughts? Fur-lovers will love it. Bald-boosters, well, not so much. But I urge you to look past the curls and check out the girl: this petite, slender vixen has quite a lot to offer.

The first time I discussed a set starring this model was nearly two years ago. Mila I was seated comfortably in the #1 position on MetArt‘s Top Model rankings, she had 25 galleries in her portfolio, and her beauty, talent, and popularity were all well established. My extremely favorable impression of her was reinforced when I critiqued one of her MetArt HD erotic movie performances — a natural beauty, doing what comes naturally, and looking wonderful doing it.

As I write Mila I is #16 on Top Models, still quite a lofty rank. And the series scheduled for evaluation, “Lilith,” is the 46th pictorial in her ever-popular portfolio. Nobody — certainly none of Mila’s countless fans — will be surprised to learn that she’s as beautiful as ever, and as adorably charming, as well.

This is a lighthearted series. Leonardo’s set design and lighting are bright and lively, and the model’s energy suggests she’s never too far from smiling, giggling, or laughing out loud. Indeed, in a handful of images she’s smiling, grinning, smirking, or on the verge of outright mugging. Although it has moments of breathtaking beauty, this is not a “serious” set, but it is extremely engaging and entertaining.

Seated at a table in a breakfast nook, Mila I drinks from a tall glass of milk, munches on cookies, samples several spoonfuls of honey straight from the jar, and generally enjoys herself while Leonardo captures image after image. And with 174 shots in the set, that’s a lot of images. She starts out in a cute yellow lace lingerie ensemble, eventually rids herself of it, poses on a chair, or chairs, arranged in different ways, and then climbs on the tabletop for still more posing and playing. Whether she’s clothed and demure or totally nude and boldly exposed Mila I exhibits the skills of a complete professional and the spontaneous, natural energy of a cheerful young woman who loves what she’s doing. She’s beautiful, of course, but she’s also powerfully charming. Who could resist her?

I’ve got several “funny” shots called out in my notes (#006, #012, #023 are just a few of), but the beauty shots far outnumber them. #032, on a platform of two chairs, beautiful breasts exposed. #043, also topless, smiling naturally and spontaneously. #088, sitting on the table, nude, in a quiet mood. #092, hair falling across her gorgeous face. On all fours in #116 for that face, again. And #120, still on her hands and knees, but this time in an unusual and exceptionally beautiful headshot.There’s lots to like in “Lilith.”

Although I’ve viewed, enjoyed, and praised the elaborate lighting and set designs employed in many erotic photo sets by prolific MetArt contributor Leonardo in the past, here he offers a simple, stripped-down treatment. The glossy white of the studio floor fades into a diffused white background. The lighting is uniform, with one stray highlight striking the model in just a handful of shots (see #066 for an example). The model is barefoot and dressed in a tight black lace dress in the first section of the series, and then totally nude with the unexpected addition of a pair of high heel sandals in the final images.

Appropriately for this simple setting, Jackie D is subtly styled. Her plump, luscious lips sport a slick, wet-look gloss, and her long, thick hair has a rich, almost damp, luster. Although the dress she’s wearing is essentially sheer, Jackie D still makes a show of taking it off in a prolonged tease — and she displays considerable delight in doing so. This model definitely looks like she’s enjoying herself, and she offers up both highly stylized poses, some seemingly dance-inspired, as well as relaxed, spontaneous expressions that range from gleeful to thoughtful.

“Acerca” isn’t a set that hooked me instantly, but as I browsed through the collection and studied the obvious highlights I developed a finer appreciation both for the photography and for the subject. #015 is a fine showcase for Jackie D’s style, attitude, and that see-through dress. I love her sly expression in #051 as the dress comes off. Standing, with her back to the camera, in #063 we find a beautifully composed figure study. The pose in #093 is certainly stylized, but Jackie’s facial expression is wonderfully spontaneous and natural. Arching in a full bridge in #124 is impressive physically and photographically. And #134 wins with pure, natural, candid simplicity.

I was charmed and delighted by this model when she appeared in her first MetArt erotic photo gallery. There’s just something about that sweet, plump-cheeked face, and the warm, cheerful personality she projects that won me over instantly – and her trim, yet curvy body sealed the deal. Now, working with the same photographer, I have the good fortune to comment on her first ever MetArt HD erotic movie performance.

My expectations are high, but they’re met almost instantly. As the film begins Leonardo frames Anita from the shoulders up. She’s wearing a red garment (we’ll soon see more as well as less of it) and bright exterior light turns the white curtains in the background into a cloudlike, luminous scrim. Anita E begins playing to the camera (and teasing the viewer) immediately. As the camera pulls back we see that the garment is a sheer, scarlet mini-robe, and that it is the only bit of clothing Anita is wearing. Sexy? Yes, very.

As the film proceeds Anita E is constantly interacting with the camera and the viewer. The more I watch the more I’m impressed (as well as charmed, once more) by this model’s beauty, skill, and personality. Her smile is energetic, playful, and genuine, but there’s also a distinct undertone of steamy eroticism. At the 4:27 mark, for example, Anita is on her side on a circular bed. She slowly raises her thigh and opens her legs — the look on her face is simply priceless. Devilish? Yes, but in a very, very good way.

Leonardo‘s lighting, set design, photography, and pacing are exemplary. He moves Anita E around the space in a way that creates visual variety in terms of shots and compositions — this also allows the model to change things up and experiment with different movements, poses, moods, and expressions throughout. Between the beauty and talent of its star, and the skill and creative vision of its director, “Nomizo” is not to be missed.

A minute or so into Rylsky’s latest MetArt HD erotic movie, “Aprey,” I had distinctly mixed feelings. The model is totally nude after only a minute, and in her case this is a very good thing. And the setting, a room with elaborate silver-patterned wallpaper and an equally ornate antique sofa is visually interesting without being too busy. But the lighting is quite uneven — the left half of the frame is dark while the right side sports a bit of glare, in between the model is veiled in the dimness. If “Aprey” had remained in this space for the duration of the production it might have proved problematic.

However, just before it hits the 3-minute mark, the setting changes — completely. Now Paloma B is in a new room, with a different couch, in a different outfit — a pink satin top over a black bra and dark brown tights. Watching as she teases her breasts out of her bra at 3:45 or so is one of the highlights of this segment. And, yes, there’s another segment coming.

The third change of scene happens at about 4:10. Now Paloma B, wearing a T-shirt over a pair of teal shorts, is holding a compact and using the mirror to apply lip gloss while seated at a vanity. Her hair is sleek and pulled into a single braid and she directs her composed attention directly at the camera before adjourning to the third, and final, couch of the film. Off comes the T-shirt, shortly thereafter she playfully kicks off the shorts, and we savor unobstructed views of that delicious, young body. Even when she puts her outfit back on we’re treated to additional explicit shots and “Aprey” reaches a satisfying conclusion.

Paloma B is a delight to watch, by the way. She’s flirtatious without being obvious, and she moves naturally and unselfconsciously. Rylsky‘s camera captures all that cuteness from a variety of angles, and, apart from the lighting issues at the very beginning, he’s done an excellent job here. The music is also notable — the dreamlike soundtrack sets the pace and creates an extremely enjoyable atmosphere in “Aprey.”