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“Previa” starring Susie — delights on display…

Susie: Previa, by Leonardo, artistic, explicit, nude art pixPersonality matters. A beautiful woman with an off-putting or unappealing personality is less beautiful than she might be. And a warm, inviting personality makes a woman — or, indeed, any person in any type of situation or social relationship — more attractive, whether she’s plain or pretty. So, to repeat, personality matters. But personality isn’t something that can be easily acquired. Some of it is innate, some of it is developed over time, and it’s fluid, changing with mood, circumstance, and situation.

Capturing a model’s personality is one of greatest challenges facing a photographer. Even the most technically skilled artist can still fail to extract and present a model’s true character and charm. And, after all, erotic photography is a collaborative art form. Model and artist must work together. And if a model is unwilling or unable to freely express her personality for the lens, the photographer has a severely limited ability to capture it. Timing also plays a significant role. A moment’s hesitation — on the part of model, photographer, or both — can result in a photo devoid of personality, creating an inaccurate representation of the model’s true essence.

After all that, let me say that Susie, the star of “Previa” has a delightful personality. It lights up her eyes and animates her face. It gives her a youthful energy and vitality that, to my eyes, makes her appear younger than her 24 years. She clearly enjoys posing and she offers up every luscious inch of her nubile body for our inspection and enjoyment.

And Leonardo, an accomplished master, does a fine job of capturing not just Susie’s bright, lively nature, but also more subtle and nuanced elements of her personality. He successfully brings out the irresistible emotional best in Susie, while also capturing her physical charms in welcome — and often impressively explicit — detail.

A few favorites: #013, a beautifully posed and composed image in the pin-up style. #015, also topless, with a relaxed, candid, natural feel. #044 an extra-close, extra-explicit shot — extra-wet, too! #048 for the way Leonardo employs the architectural elements of the set in his composition. The thoughtful, painterly beauty of #054. And #117 where personality, physical beauty, and photographic skill and style all come together.

A lovely girl, an inviting personality, and stylish erotic art are all among the many delights on display in “Previa.”

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“Presenting” Olya Fey — friendly face/happy hands…

Olya Fey: Presenting, by Alex Sironi, long legs, moist pussy, hot pixTwo aspects in particular struck me as I began to examine the new Metart model debut, “Presenting” Olya Fey — her face and her hands. Olya can’t help but project a warm, inviting, lively personality. There’s a light in her eyes and a smile is never too far from her lips — she simply radiates an amiable, approachable, and appealing energy. She’s pretty, make no mistake, and made prettier still by the abundant warmth of her personality. She’s also blessed with exceptional bodily beauty. She’s lithe, long of limb, with pert breasts, and additional delectable details. And that brings me to her hands.

When I say she has “happy hands” I mean that her manual extremities are expressive, almost to a fault. I don’t know Olya Fey‘s modeling history, but the way she uses her hands either reflects an acquired habit, a stylistic signature, or a lack of experience I associate with newcomers to the modeling profession. In #017, for example, Alex Sironi frames her in a close headshot, and her hands, fingers gracefully curved, float beside each side of her face. Enhancement or distraction? I lean towards the latter. Posing, pointing, framing or otherwise vying for attention, Olya’s hands make their presence felt in “Presenting” but without doing too much harm overall.

For such a sweet, natural, and warm girl, Sironi has chosen a rather formal, even stuffy, setting. Olya sits or stands next to an antique chair of leather and wood that’s been placed before an ornately decorated passage, with a similarly decorated bedroom visible in the background. But Olya, barefoot, is wearing a light and casual dress and blue necklace that are anything but ornate, stuffy, or antique — a curious contrast.

Still, Olya’s personality and beauty easily overcome what quirks or quibbles I might find in “Presenting.” Her slender body is beautifully captured in #084 and #132, among others. Her natural sweetness gets a touch of spice with a peek at her nipples in the otherwise demure #003. She displays both her physique and attitude in #046. And Sironi delivers enticing explicit close-ups that capture moist perfection (#056) as well as stylish compositions like #058, and artful, stylish figure studies like #110. With her friendly face, beautiful body, and even her “happy” hands, Olya Fey is a most welcome addition to Metart.

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“Muhica,” starring Sabrisse A — lovely, liquid, interlude…

Sabrisse A: Muhica, by Luca Helios, Metart HD erotic movie

When I critiqued Sabrisse A’s very first Metart erotic photo gallery I noted a moody, thoughtful quality in her presentation. Now I have the welcome opportunity to view her very first Metart HD erotic movie, “Muhica,” and I can’t help but wonder if the qualities I so enjoyed in her still photos would translate to motion pictures.

I have my answer almost immediately after pressing “play.” And that answer is an emphatic “Yes!” Luca Helios, who shot this model’s debut, is in the director’s chair for “Muhica.” While the artist also crafted a still photo collection at the same location — you’ll find “Perenne” here — this is not one of those movies in which the video is shot over the photographer’s shoulder as he shoots his pictures. “Muhica” is a stand-alone, no-excuses, short film, and quite a beautiful one, at that.

The setting certainly helps — the action takes place in and around an infinity pool overlooking a lush forest. The crisp angles of the deck, the smooth surfaces, the crystal water, and a stylish outdoor shower crafted of stainless steel, provide a pleasing and versatile “stage” for Sabrisse to perform on (and in).

The moody, thoughtful qualities I noted in Sabrisse’s debut are, indeed, on display her, as is her splendidly shapely body. And so is an elegance and grace in motion — Sabrisse absolutely knows how to move in an eye-pleasing and dance-like manner that has a mesmerizing quality. She strips out of her bathing suit quickly, and then spends the balance of the film diving into the pool, swimming, walking along the edge of the pool, posing on the polished deck, and finally bathing in the rain-like spray of the shower.

The pace here is leisurely, almost liquid in its smooth, gentle tempo. Sabrisse A, at long range or in explicit close-up, is a physical and visual delight, and Luca Helios knows how to capture her with an unobtrusive style that gives Sabrisse the space and freedom to flow with her emotions and express herself with honesty and great beauty. As the Summer of 2014 continues to sizzle, “Muhica” offers a cool, refreshing, beautiful, and invitingly erotic interlude.

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“Ydenar” starring Mango A — postcards from paradise…

Mango A: Ydenar, by Vlad Kleverov, nude beauty poses in paradiseSay what you will about craft, technique, and the photographer’s art. In my position as Metart‘s in-house blogger I’ve said much on those topics and will say more in the future. And one can rant and rave about a model’s beauty, charm, talents, and skill — we all do it, whether in the comments, in conversation, or in our minds, and I do it on this blog. But there are times when the artist’s ability and the model’s beauty take a back seat to a third factor. Let me be clear: Vlad Kleverov is a talented artist, and Mango A is a beautiful, adorable, and entirely beguiling young woman. But in “Ydenar” the breathtaking location is the outstanding ingredient in an entirely enjoyable and entertaining Metart erotic photo series.

The location is spectacular. The sky is vivid blue, the sun is high, and Mango A is posing in the crystal clear waters of some unidentified tropical sea. The white sand beneath the shallow water hosts an assortment of large starfish in varied shades of red. A school of small, silvery fish swim cautiously nearby. A sailboat at anchor bobs gently on the dark blue water in the background. And for every sun-kissed moment, in every pose, submerged, standing, clothed or nude, or somewhere in between, Mango A is loving the experience, loving the camera, loving the warmth of the sun, the cool water, the sheer beauty of the setting. If you spend your days cooped up in a cubicle, toiling in a warehouse or factory, or taking notes during yet another lecture, “Ydenar” provides an instant vacation escape to a beautiful time and place, with a delectable and delightful traveling companion.

While it is, quite literally, a “day at the beach,” shooting “Ydenar” was no picnic for the artist. The shifting light, the reflections off the sand and water — even a passing cabin cruiser filled with gawking tourists — each present considerable challenges, but Kleverov skillfully avoids these pitfalls and even in the demanding conditions produces image after image filled with perfectly exposed, richly colored views of perfection.

Apart from a fine gold chain that starts as a necklace and wraps around her waist, and a pair of earrings, Mango A is only wearing a white bodysuit. “Fully dressed” shots like #016, with Mango on her back, partially submerged, fish circling, and starfish at her feet, are “suitable for framing.” But then so is #079, a back shot, white fabric encircling her hips, blue water transitioning seamlessly to blue sky on the horizon. Yes we get enticing close-ups of Mango’s mouthwatering, sea-water-slick intimate anatomy. And, in a set that includes 156 images, we get pose after pose and view after view of this bronzed goddess in a heavenly setting. “Ydenar” offers postcards from paradise, and plenty of them.

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“Cambio” starring Josephine — a fascination with feet and fingers…

Josephine: Cambio, by Rylsky, nude pix, toes, feet, and fingers featuredI’m not tasked with critiquing sets photographed by the erotic stylist Rylsky as often as I once was, so it’s nice to have the opportunity to discuss one of his more recent galleries, “Cambio.”

The first shot in the series catches me off guard. It’s not a headshot of raven-haired Josephine. Nor is it a clothed, full-body shot of the type many Metart contributors start their pictorials off with. No, it’s a detail shot, a close-up of the model’s feet and fingers. Unexpected? Certainly. Thought-provoking? Absolutely. An intriguing and off-beat way to introduce a model? To be sure! As I explore the set further I soon discover that Josephine possesses abundant physical beauty, but that extremities-centric intro image sets the tone for “Cambio” and those toes, feet, fingers, and hands play an out-sized role in this erotic photo collection. The foot-fetishists in the audience are going to love “Cambio,” I suspect, but the collection’s charms will appeal to the casual viewer, as well.

This is only Josephine‘s second appearance in a Metart erotic photo set. She’s confident and uninhibited, two qualities that certainly help when she’s only been given a shirt as her costume. Even as Rylsky moves Josephine through a range of poses, she remains in a somewhat narrow emotional range. She has a very pretty face, with exceptionally beautiful eyes — a headshot, #086 captures them particularly well — but I believe that if she “let her hair down” emotionally, she could be far more expressive. Still, there’s something intriguing about her restraint.

After I’ve viewed the entire set I read Josephine’s bio in which she declares: “I am very shy.” Those words may seem unlikely coming from a young woman who has posed nude for explicit erotic photos, but it makes sense, and helps explain certain inscrutable aspects of Josephine’s presentation. I, for one, am delighted that Josephine has chosen to address her shyness by sharing her beauty and body with Metart and the world!

I’ll conclude by calling out a selection of my favorite photographs in “Cambio.” #002 for cuteness, with a hint of the heat yet to come. The series of shots between #042 and #045 of Josephine’s feet and hands. The painterly composition of #090 and #092, with the model’s eyes averted. The four shots from #098 through #101, all of which capture the beauty of the model’s body. And #114, a topless shot in which Josephine treats us to a subtle little smile, a highlight of the collection.

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“Ekeini” starring Victoriya A — a variable, versatile vixen…

Victoriya A: Ekeini, by Egon Schneider, young girl/very hairy pussyI must admit, it took a while for this Metart gallery — and this model — to grow on me. This has happened to me enough in the past that I now welcome this initial reaction, because it most often means that I’ll end up with a deeper appreciation for the series — and its subject — once I’ve come to fully understand it.

The setting — a bedroom or perhaps a luxe hotel room — is pleasant enough, with a neutral color scheme. Egon Schneider‘s approach is direct and free of drama or frills — no fancy lighting, no experimental technique, just well-crafted photography.

The model, Victoriya A, first struck me as simply a young, girl next door type. This initial impression — or, truthfully, this misjudgment — was the biggest (self-inflicted) obstacle to my full appreciation of “Ekeini.” Yes, Victoriya can appear to be a typical, 19-year-old girl next door. But that’s just one look of many this model is capable of. And the more I looked, the more I began to realize just how variable her expression and appearance can be. Victoriya A has a real gift for projecting a wide variety of moods and emotions. She’s a young innocent one moment, and the next she’s a sultry, seasoned siren.

As I marveled at each chameleonic shift in Victoriya A‘s on-camera personality, I finally came to understand what a rich, varied, engaging, and entertaining performance this is. And Schneider’s workmanlike style never overpowers his subject, indeed the subtlety of his approach lets Victoriya’s beauty and ability blossom over the course of a particularly generous 143 images.

I don’t care much for the costume, but that doesn’t matter — it comes off quickly and returns for a handful of playful images at the end of the set. Once Victoriya is nude we enjoy as she experiments with poses, attitudes, and emotions. She’s thoughtful (#009 or #046), she’s warmly seductive (#074), she’s confident and composed (#075), and she’s irresistibly cute (#069) — sexy, alluring, sultry, playful, the list goes on.

Schneider gets complete coverage. We’re provided with sensitive, moody headshots, formal poses and compositions, and many explicit images. Not only do we get to experience the variable personality of this versatile vixen in “Ekeini,” we also savor her physical attributes in comprehensive detail. A very satisfying effort by model and artist, alike.

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“Calathe,” starring Gillian B — breaking barriers, beautifully…

Gillian B: Calanthe, by Flora, Metart HD erotic movieWhenever Metart‘s collection of HD erotic movies is mentioned — either on this blog or in member comments — controversy is quick to follow. Some members object to the so-called “behind the scenes” movies (filmed over the photographer’s shoulder during a still shoot). Others mention the lack of action, or plot, or explicit imagery, or a general lack of creativity and inspiration on the part of the filmmaker.

Metart‘s creative team is well aware of the challenges the format presents. They’ve issued new standards to the directors of their films, strongly discouraging behind the scenes style productions. Although I have been less than impressed by some of the Metart films I’ve viewed, I still think the genre — short, stylish, narrative-free, soft-core erotica — has real potential. And I’ve critiqued several films that were of remarkable quality, genuine works of erotic art. I’ve just added “Calathe” to my personal favorites list — if you’ve been disappointed by Metart‘s films in the past, this one is going to make you a believer.

Director Flora is quickly distinguishing herself as a master of the Metart short film formula. The concept, art direction, cinematography, editing, and thoughtful style she employs in “Calathe” are very much in the Metart mold, but she also explores the boundaries of the genre. How explicit is too explicit for Metart? Flora — and her beautiful, shapely, and uninhibited star, Gillian B — address that question by pushing the limits of the soft-core genre. In the process they break through some barriers, and they do it beautifully and with maximum impact.

Gillian B, wearing a bright green lingerie ensemble and red heels sits on a couch in a room decorated in a retro-mod style. From the beginning she radiates a warm, playful, seductive attitude. It’s not at all forced, and it’s completely engaging. She reveals her breasts with a flourish, and, in a tightly framed portrait of perfection, teases her nipples.

Throughout the film Flora periodically cuts to black, creating a visual pause, then returning to the scene. And as that scene progresses, and Gillian removes her panties, those pauses allow the viewer to catch his breath — this is a hot, explicit, and highly erotic film!

Gillian, a sly smile never far from her luscious lips, tiptoes — or should I say “tipfingers”? — right up to the edge of outright masturbation. She strokes the soft skin surrounding her sex, then she pets, strokes, and plays her hands seductively across the open, pouting, glistening petals of her femininity.

Moving from the sofa, on her knees, legs spread, back to the camera, Gillian B continues her eye-opening/eye-pleasing display. The explicit detail is a torrid treat, Gillian’s performance an enticing, pulse-elevating exercise in seduction. With “Calathe,” Flora and her glorious star set a new standard for Metart short film excellence, and they do it with skill, finesse, beauty, sensuality and by breaking barriers, beautifully.

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“Peraisin” starring Colleen A — subtle charms of a young and delicate doll…

Colleen A: Peraisin, by Albert Varin, 18-year-old babe in hot nude pixDewy, fresh, and succulently nubile, Colleen A’s second Metart erotic photo gallery, “Peraisin,” is an understated and enticing showcase of this 18-year-old model’s charm and beauty. Petite, sweet and gentle in demeanor, with big, moody, blue eyes, and soft features, Colleen A delivers an understated, somewhat restrained performance here. And that restraint, that subdued quality, adds an engaging bit of mystery and mystique to the set.

Colleen A may be somewhat restrained in her expressions, but she’s not inhibited in the slightest. Although she first appears fully clothed, her cute little costume and two pieces of lingerie come off relatively quickly and then she’s only too happy to offer a plentiful array of explicit poses, many of them eye-filling close-ups of her exceptionally delicate charms.

Working with a young, presumably inexperienced model presents its own unique challenges, but photographer Albert Varin knows how to coax an engaging performance from Colleen A. He moves her around the space, shifting her from a gallery-like setting to a bed that’s revealed in the background. And, as noted, while he does include many explicit anatomical close-ups, he also takes care to capture additional sculptural details as well as a handful of pleasing headshots — #013, #021, and my personal favorite, #117, for example.

Colleen’s big, blue eyes, plump lips, and doll-like features, when coupled with her subtle, restrained range of expressions is more intriguing that off-putting, and when she graces us with a smile — even a tiny hint of one — as she does in #057, it’s difficult if not impossible to fall under her spell. With “Peraisin” this delicate doll is bound to charm viewers who cherish fresh, tender, and delicate, nubile beauty.

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“Omenala” starring Erica B — same place, different face, fresh heat…

Erica B: Omenala, by Matiss, explicit nudes in an unusual locationNot long after I began evaluating the Metart erotic photo series titled “Omenala,” I began to feel a bit of déjà vu. The more I looked, the stronger the feeling became, but with a bit of searching I realized the feeling wasn’t imaginary — I had been there before! This set by Matiss was shot on a sunny day in the mountains, mainly against what might be a retaining wall for an unseen road. The artist employed the same location for a set I critiqued over a year ago, and it’s just unusual enough to have made an impression.

It is a somewhat unlikely location, and adding a beautiful, glamorous model like Erica B accentuates this fact. Erica B is topless and wearing a pair of tight jeans and high heeled sandals when the set opens. It’s a large set — 155 total images — and the model has ample opportunity to experiment with poses and attitudes. As the series progresses the jeans come off, a bit of fabric appears to make the gravelly ground more comfortable, and Erica B moves away from the rustic retaining wall. And this is where the set begins to sizzle.

Erica B has a natural and genuine exuberance — she’s full of energy and appears to be having a lot of fun posing. But when she’s seated on the ground, reclining, or up on all fours, she trades her happy-go-lucky attitude for something far more steamy and seductive. And as Erica B’s mood changes, so do the compositions Matiss chooses. In the final third of the set the explicit images are abundant, detailed, and enticing. In #096 and #098, to pick a pair of mouthwatering examples, the succulent beauty of Erica’s intimate anatomy is stunningly captured at close range.

But the charms of “Omenala” and Erica B are many, and the model’s other assets — a shapely rump, long, wavy hair, luscious lips, and light blue eyes — are artfully captured in less than explicit shots like #063 (a beautiful headshot) and #109 (with the model on all fours).

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“Glauben” starring Violla A — the hunt for a wild forest fox…

Violla A: Glauben, by Matiss, succulent and curvy babe in explicit pixThe setting is lush and green, sunlight mixes with cool shadows, and in the background a meandering stream is occasionally visible. Birds are twittering in the high branches and a light breeze is gently ruffling the leaves. Movement, and then sound, catches your attention — you spin to look, and you see her. You freeze in your tracks. You’ve just stumbled into the lair of the forest fox, one of the most alluring creatures nature has to offer.

I hope you’ll forgive me the brief flight of fancy, but the MetArt erotic photo series titled “Glauben” invites and encourages these types of imaginings, and many others, as well. Violla A, totally nude and completely uninhibited, is the fox in question, and her voluptuous beauty and sprightly personality are almost overwhelmingly attractive in this setting. In much of the series she’s positioned on a gnarled, bent tree trunk that’s covered with twisted vines. And she looks completely at home and absolutely comfortable.

The fact that Violla A is so at ease in the rustic location can only have made the photographer’s job easier, and if the model is only half as high-spirited as she appears to be this session must have been a pleasure for Matiss. I do notice a couple of unnecessarily tilted images, and a few shots in which reflected light is perhaps a touch overdone, but the overall look and execution of the pictorial is quite pleasing.

As noted, Violla A is not inhibited, and that’s an understatement. But explicit anatomical detail is just one aspect of this pictorial. There are some simply wonderful headshots — quite a few, in fact, starting at #018 and including #019, #020, and #032, among others. And there are some pleasantly tame figure studies — includng #063, #067, and #081 — that have an almost rustic pin-up quality. Whether she’s thrusting her moist delights at the lens or just reclining thoughtfully on her forest perch, Violla A is utterly charming and powerfully alluring in “Glauben.”

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