Tag Archives: young

After looking at over a hundred well-crafted photographs of a totally nude woman I’ve usually drawn some conclusions about her emotions and other aspects of her personality. In “Levha” Angelique A struck me as a strong, playful, and extremely sexual woman. But it was only after reading her bio — and discovering that she is only an 18-year-old — that I realized how young she is. It certainly came as a surprise — this is no mere teenybopper! For a girl this young to project such a fully formed, completely sincere, rich, ripe, and mature sexuality is truly striking.

And I think it goes beyond Angelique A‘s glamorous appearance — her dark hair, dark eyes, and luscious lips in particular — or the ornate décor of the bedroom Arkisi shot her in. This young woman has a quality — a sultry, sexy quality — that comes from within. And is it ever a pleasure to experience!

This is only Angelique’s second MetArt erotic photo set (she’s also appeared in a MetArt HD erotic movie), and while her performance here leaves nothing to be desired, there is also certainly room for her to grow and blossom as a model. And she certainly gives Arkisi plenty to work with. The artist, as is his practice, captures his subject in a broad range of poses and delivers carefully composed detail shots along the way. Intimate, explicit close-ups are provided in generous numbers, but then so are beautiful headshots (#013, #036, and #067 are three fine examples). There’s a simplicity bordering on the poetic in #007, a detail shot of Angelique’s round ass flanked by her delicate hands as she removes her scant g-string. And there’s a confident and clever artist at work in shots like #050, with the model seated centrally on the bed and facing the camera, and #109, an explicit variation on that image, in which Angelique’s rear aspect (as well as her steamy personality) is featured. In “Levha,” beautiful, sexy Angelique A is so very young, and so very sultry — and those are two factors that make this pictorial so enjoyable!

Personality is important. It can make an ordinary girl irresistible, and it can transform a true beauty into a star. But capturing personality with a camera isn’t easy. It takes technical skill on the photographer’s part, certainly, but it also requires sensitivity. A gifted artist has the unique skills required to put a model at ease and then create an environment in which she feels free to express herself fully.

19-year-old Kamilah A has personality, and plenty of it. And in “Presenting,” her first nude photo gallery for MetArt, that lively, energetic, and vixenish personality is on full display. It doesn’t matter if she is totally nude and boldly displaying herself in explicit poses, or if she’s demurely positioned in more modest images, Kamilah A projects an abundant and extremely engaging personality. And when a girl this physically appealing has such an attractive personality it’s impossible not to love her.

Models can be difficult. They can be moody, temperamental, irritable and even combative. But in these beautiful photographs by the artist Arkisi this model is at ease, engaged, animated, and projects pure enjoyment. I could be wrong, but I can’t help but feel that Arkisi and Kamilah A enjoyed every minute of this photo session — and that sense of fun and positive energy is present in nearly every frame of the series.

The set design and minimal costuming are thoughtful and stylish, the lighting unobtrusive, the photographer takes care to include a wide variety of compositions, and the model is free to display different aspects of her personality as well as a range of poses and moods. “Presenting” Kamilah A is both an extremely impressive new model debut, and a polished demonstration of the erotic photographer’s art. A girl this pretty, with a personality this pleasing, is a most welcome addition to MetArt, and I look forward to seeing much more of her in the future.

The setting for the MetArt erotic photo series “Artio” couldn’t be more appropriate for the sultry subject. Photographer Karl Sirmi has positioned his model on a circular bed, its sheets in pleasing disarray. A sexy girl, an unmade bed — it doesn’t take much more than that to inspire one’s erotic imagination.

As it happens, this model is particularly inspiring in her own right. This is only Katie A’s second MetArt nude photo gallery (a third has been added to her portfolio only recently), and she is just 19 years of age. But lack of age or experience is no impediment! Katie A is beautiful, talented, and extremely sexy. And there’s a knowing quality, an air of maturity, to Katie’s allure. This is no inexperienced “legal teen,” Katie A projects a seasoned and worldly sexuality.

Physically and facially, Katie A is an exceptional specimen. She’s also a gifted poser with a limber and flexible body and a creative imagination — she assumes some poses here that verge on contortionism, and the effect is absolutely eye-catching. The cluster of shots spanning #018 through #023 showcase her bendable body quite wonderfully, and #090, #092, and #095, while less dramatic, have a physical grace that’s a delight to behold.

The series is presented in somewhat jumbled form, or rather, it’s presented here out of its logical order. In the first ten images Katie A is totally, gloriously, nude. But in #011 she’s fully dressed in a sheer, frilly black and white nightie over matching panties. If one proceeds through the set in numerical order, as I do, the logical progression of the series — dressed, then topless, then totally nude — is lost. But who cares! In fully clothed shots (like #043 or #034) Katie A delights. In a topless shot (#072 is a beauty) she beguiles. In headshots (#030 or #054) her beauty borders on hypnotic. And totally nude (offering a prone invitation in #004, or spread wide and brazenly presented to the lens (in #112 among others), Katie A is both lovely and lusty. “Artio” gives the viewer a vivid and detailed picture of how enjoyable it would be to help her “unmake” a big, inviting bed!

I’ve only seen one other MetArt erotic photo set featuring Yani A. I liked it very much. It was beautifully and stylishly photographed, but I was really won over by the model. She is a girl next door, not a glamorous film star type, but she has an absolutely beguiling charm and engaging personality. She’s also extremely uninhibited and gives herself completely to the camera.

Everything I liked about Yani A the first time I saw her is present in “Enalages.” I don’t think this series represents Alex Iskan’s best work, but Yani A is so pleasing to the eye and exhibits such a wonderful personality that I consider the pictorial a success. I particularly like the way Iskan has chosen to begin his photo essay. In the first ten images Yani is in a bathroom. Her hair is wet as if she’s just emerged from the bath. And she stands at a sink and brushes her teeth. This little “slice of life” gives us a look at the model in a natural, un-staged, behind the scenes way that I enjoy — it’s not a side of the model we often get to see, and it really helps round out one’s sense of who she is.

In shot #011 the set “officially” begins. Yani A is on a couch, in a body black body suit, and she’s fully coiffed and styled. The furniture and the décor in the room isn’t particularly pleasing, but it doesn’t really matter. Yani A is so expressive, so playful, and so disarming that she overrides any aesthetic or stylistic weaknesses in the photography. And Yani A is, happily, still as completely uninhibited and naturally sexy as ever. To his credit, Alex Iskan takes full advantage of Yani’s lack of inhibition and the set boasts numerous detailed, explicit close-ups.

Yes, Yani A is a delicious young girl. But as pleasing as her physical attributes are, it’s her spirit, her personality, her compelling cuteness that makes “Enalages” so enjoyable.

Attraction isn’t always instantaneous. And some of the most memorable — and satisfying — seductions take a bit of time to unfold. That was my experience with “Eskura.” My initial impressions of the model and of the photography were positive, but achieving a full and enthusiastic appreciation of the set was a gradual process.

Beatrice C first appears wearing a little black dress. She is pretty and nicely presented. When I read her bio after viewing the set I learn that this 19-year-old is a stylist, and I suspect she may have performed those tasks here — her hair and makeup are quite nicely done.

After a costume change Beatrice appears in a sexy bodysuit. She’s pretty, and the garment is flattering, but there’s a hint of stiffness in some of the poses, and the artful styling of hair and makeup begins to feel the slightest bit overdone. Still, the most minor of complaints.

It’s only when Beatrice C is totally nude that “Eskura” hits its stride and the model wins me over completely. And it’s not simply because she has a splendid body, either. Once she’s nude she reveals not only all her scrumptious intimate attributes, but also her vixenish nature. A skilled artist, photographer Catherine takes great care in capturing the delights of Beatrice C’s body as well as the sizzle and sparkle of her personality.

Catherine’s lighting, soft and natural, brings out not only physical detail, but also the texture and tone of the model’s supple skin. And she’s included ample compositional variety. #087 is a lovely detail figure study of breast and torso, for example, and in #048 the artist’s deft manipulation of light is on display as well as are the model’s inviting attributes. In #053 we have a lovely headshot, and Beatrice bites her lip seductively, while offering herself to the lens, in #126. There are playful moments (#078) and steamy ones (#060), and “Eskura” ends with an erotic, explicit, bang (#130). Beatrice C is young, bold, bewitching, and, to put it simply, extremely hot.

Several commenters have voiced their approval of those MetArt erotic photo sets that feature a selection of images of the model fully clothed — not in costume, but in street clothes. I wholeheartedly agree, and that’s precisely how Rylsky has chosen to begin this series.

In the first image Chandra A, wearing flip-flops and a summery peasant dress, leans against a carved post and smiles at the camera. From this moment I am completely charmed. But, as I soon discover, Chandra and Rylsky are just warming up. In the first 13 images in “Volunt,” Chandra A is irresistibly engaging. Her expressions are subtly, and naturally, varied, her smiles are warm, and her beauty undeniable. As a bonus, she even treats us to an unexpected up-skirt view. Notice how her expressions change from #008 through #013 while she’s seated on a bench — and the series is only just beginning!

After she moves inside — to a wooden staircase in what I can only call a log cabin — the sandals come off and, after some delightful posing, the dress does, too. With her long limbs, petite breasts, sun-bronzed skin (complete with tan-lines), and short, dark, wavy hair Chandra A is a visual confection. To enhance the package her gorgeous smile and big, beautiful, blue eyes seem to be having a contest to see which facial feature can draw the most attention. Truly, this young woman has a wonderful, bright, lively energy that really comes across in these photos.

Chandra A’s abundant charm and arresting physical beauty and natural ease in front of the camera are enhanced by a complete lack of inhibition. I get the sense that Chandra A is enjoying every single minute of this experience. The explicit images are mouthwatering. The coy moments are delightful. The variety of expressions, the various smiles, the light and energy in those eyes — it’s simply mesmerizing. “Volunt” is only Chandra A’s third MetArt gallery — I sincerely hope she appears in many more, and very soon!

At the visual banquet that is MetArt, nude photo galleries are the main course, and HD erotic videos are side dishes. A quick look at the “menu” proves my point — as I write these words there are 12,402 photo sets offered, compared to “only” 1,038 movies. Pictorials will always be the signature offering at MetArt, but I expect to see more and more emphasis placed on movies in the months and years to come. And after watching “Versu” I can only say this is a very good thing!

There’s been some discussion in the comments lately about the value of seeing a model in street clothes, prior to, or after seeing her nude. Director Platon Averin has seen fit to introduce us to his subject when she’s wearing denim short-shorts, a black tank top, and flat sandals — perfect. And this girl, Vanessa H, needs no more than that to show us exactly how cute and appealing she is. Fully dressed and in a public park, she has my undivided attention from the start. The idea — to call it a “story” would be to exaggerate — is that Vanessa is an artist out for a day of sketching. In the park she delights when a squirrel spontaneously runs across the lawn, and Averin’s camera tours her clothed body while she draws in her sketchbook.

Next we’re transported to a forest at the edge of a vast, placid lake. Vanessa H still has her pencils and paper, but now she’s dressed only in a white blouse. The body barely concealed by that solitary garment is trim and shapely, a nubile treat. And Vanessa H has a lovely, warm, engaging personality — she directs a lot of playful eye-contact at the camera, to the viewer’s benefit.

Vanessa strolls down to the water’s edge, eventually removes her blouse, plays and poses in the shallow water, then gets “dressed” and returns from whence she came. I only hope she comes back soon. I also look forward to more from director Averin — his mastery of the moving picture medium makes a “side dish” like “Versu” extremely appetizing!

In the world of erotic photography and video she’s a member of a legendary dynasty. Her mother, Suze Randall, is a pioneer of erotica having worked as a fashion and nude model, photographer, producer and director of soft and hardcore films in a career spanning 35 years. Her father, Humphry Knipe, is an author, a writer/director of XXX videos during the genre’s 1980s heyday, and an erotic website administrator. But while Holly Randall has a well-established reputation of her own in the family business, she’s only recently become a MetArt contributing photographer — this is her second MetArt erotic photo gallery.

I have no idea whether Mr. or Mrs. Luvv have any experience in the adult entertainment industry, but their daughter, Sarah Luvv, has embarked on a modeling career, and this set marks her debut as a MetArt model.

While the Randall women — mother and daughter — may be best known for shooting glamorous women in a glamorous style, Sarah Luvv is something of a girl-next-door type. Randall has come up with a treatment that is flattering to the model as well as a showcase for her own technical and stylistic talents.

Luvv is nude throughout. She’s posing in the shallow water at the edge of a grotto style swimming pool in a lushly landscaped backyard that very much evokes a tropical island setting. Sarah Luvv looks quite at home here, and seems at ease in front of the camera, as well. An introductory shot like #003 not only captures Luvv’s pert attributes and warm demeanor, it also demonstrates Randall’s deft lighting — and I do like the way the diffused background evokes an untamed jungle setting. There are explicit shots here, as well as shots that showcase the model’s big, brown eyes — #042 offers a bit of both. In #059 we find a beautifully posed and composed pin-up. And in #087 and #088 photographer and model create two wonderful headshots, the first eyes closed, the second eyes open. “Presenting” shows great promise for artist and model, alike.

A pink leather sofa is the principle posing platform in “Supro,” and the MetArt model doing that posing definitely has star quality. If we think of that sofa as a “casting couch,” and the role in question required the skills and beauty of a bosomy, long-legged, doe-eyed, long-haired blonde, Jennifer Mackay would easily conquer the competition and win the part.

While the name Jennifer Mackay has a distinctly British flavor, this blonde nubile is from Ukraine, not the UK. There’s been some discussion in the comments on the unique beauty of models from this country, and Jennifer is certainly no exception. Absent biographical information or context, I might even have guessed she was American, but regardless of national origin, this is an impressively beautiful girl.

Arkisi‘s set design is colorful and relatively simple. The walls of the room are painted a bold blue/lavender and several red apples are placed on a glass coffee table in front of the couch. Jennifer’s costume consists of just two pieces — a colorful necklace and a pair of patterned pantyhose. Although there are relatively few elements, there’s a slightly “busy” look to the setting, but the colors somehow combine in a way that flatters the model.

Jennifer Mackay does tend to operate in a fairly narrow expressive range, but there’s something natural and unforced about her presentation despite this fact. And when she does choose to gift us with something slightly more spontaneous, as she does in #050, the result is subtle yet wonderfully engaging. Beyond her physical charms, and they are many and quite splendid, I think Ms. Mackay, a mere 19-year-old, has considerable potential as she experiments with and expands her emotional/expressive scope.

What follows is a small sample of superior images from “Supro.” Standing topless in her tights, on tiptoes, one hand in her long, wavy hair and one hand on her hip, in a tempting three-quarter profile shot. #016, a headshot that emphasizes the model’s youth along with her dark-eyed beauty. #038, a beautifully framed and lit shot of Jennifer’s intimate bits. #076, a painterly image of feet and toes against the grain of the hardwood floor. And for true painterly artistry, #095, which I’ve titled “Still Life with Apple and Peach.”

Take a moment and think about a few of your favorite MetArt erotic photo galleries. Apart from questions of physical beauty, I’d be willing to wager that what makes your favorite galleries so appealing is something that’s essentially intangible: the model’s personality. It’s a look in the eyes, the way she presents herself, the tilt of her head, and the expression on her lips. And binding all these variables together is an energy. We recognize it when we see it, but it’s nearly impossible to define or describe. And we absolutely notice it when it’s absent. When we describe a model as “photogenic” I think this is the elusive quality we’re describing, this energy, the ability to project a personality from a live photo session to a still, inanimate photograph.

I realize her hair color will please some and alienate others, but Karina O is certainly a pretty girl. If she is perhaps just a touch over-styled here that is explained and excused when I read her bio — Karina is a professional hair and make-up stylist, and I have no doubt she handled those tasks in preparation for this set. Her body is petite and beautifully proportioned, the details, top to bottom and front to back, are all eye-pleasing, and her blue eyes are truly eye-catching. But…

But Karina O keeps her personality, that engaging, irresistible energy, under wraps in much of “Teraso.” Perhaps it is the stylist in her that is used to studying faces (both her own and those of her clients) and who knows just what to do to achieve that perfect look. Sadly, Karina’s “perfect look,” while certainly pretty, is somewhat limited. It only varies subtly from image to image, and it doesn’t allow for much in the way of spontaneity or warmth.

Would it have been effective if photographer Koenart had asked his subject to perform a few jumping jacks between exposures to shake her up and bring out more of her authentic qualities? Nod your pretty head! Mess up your perfect hair! Show us who you are, not what you want us to see! There are plenty of pretty pictures here, don’t get me wrong, from explicit to demure, the artist provides complete coverage. But the invisible ingredient is in short supply.

“Teraso” ends with a pleasant surprise, however. In the last ten shots Karina is outdoors, in street clothes, hair down, scrubbed of make-up, and is projecting far more of her natural personality. The trick for this young beauty is to bring that appealing quality to future shoots!